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The Duchess of Gloucester does penance, 13 November 1441
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The Duchess of Gloucester does penance, 13 November 1441
984780 The Duchess of Gloucester does penance, 13 November 1441, from A Chronicle of England BC 55 to AD 1485 pub. London, 1863 (colour litho) by Doyle, James William Edmund (1822-92); Private Collection; (add.info.: The Duchess of Gloucester was charged with unlawful commerce with Marjory Jourdemain " The witch of Eye" and conspiring to bring about the death of Henry VI (1421-71) by magic. She submitted herself to the correction of the Church and did penance by walking without a hood, from Temple Bar to St Pauls carrying a lit taper, to offer it to the high altar.); The Stapleton Collection; British, out of copyright
Media ID 22523150
© The Stapleton Collection / Bridgeman Images
Barefoot Candle Candles Cathedrals Chronicle Of England Duchess Duchess Of Gloucester Magic Penance Penitent Public Regret Remorse St Pauls Taper Witchcraft Monks Religious Orders Rulers Tapers
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The Duchess of Gloucester's Act of Penance - A Reflection on Power and Redemption
EDITORS COMMENTS
. In this photo print, we witness a pivotal moment in history as the Duchess of Gloucester undertakes an act of penance on 13 November 1441. Accused of engaging in unlawful commerce with Marjory Jourdemain, known as "The Witch of Eye" and conspiring against the life of King Henry VI through magic, the duchess submits herself to the correction of the Church. With solemn determination etched upon her face, she walks barefoot without a hood from Temple Bar to St Pauls Cathedral. Clutching a lit taper that symbolizes her remorse and desire for redemption, she carries it towards the high altar where it will be offered. The weighty responsibility she bears is evident not only in her expression but also in the presence of priests and monks who accompany her along this arduous journey. This image captures not only an individual's personal struggle but also reflects broader themes prevalent during medieval times – faith, power dynamics, and societal expectations. It serves as a reminder that even those within positions of authority are subject to scrutiny and accountability. Through this act, the duchess seeks forgiveness from both God and society while acknowledging her transgressions publicly. As we gaze upon this historical scene frozen in time by James William Edmund Doyle's masterful lithography technique, we cannot help but ponder on our own capacity for growth, redemption, and ultimately finding solace amidst regret.
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