Remorse Collection (page 2)
"Remorse: A Glimpse into the Depths of Sorrow" In Juan Carreno de Miranda's masterpiece, "Penitent Magdalene, " painted in 1654, we witness a profound display of remorse
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"Remorse: A Glimpse into the Depths of Sorrow" In Juan Carreno de Miranda's masterpiece, "Penitent Magdalene, " painted in 1654, we witness a profound display of remorse. The sorrowful gaze and clasped hands of the Magdalene reveal her deep regret for past transgressions. TRAVIATA - LIEBIG - 6, an evocative composition from an opera scene, captures the essence through its haunting melodies. The protagonist's heart-wrenching lamentation echoes the pain felt after making irreversible mistakes. The tempera on wood painting titled "Lamentation over the dead Christ" (1360-65 circa) portrays raw anguish and grief. It serves as a timeless reminder that even divine figures are not immune to feelings of remorse. Saint Peter crying in his oil on canvas portrait from 1639 showcases how betrayal can lead to immense guilt. His tear-streaked face reflects the weight he carries for denying Jesus three times before his crucifixion. WH Egleton's mid-19th-century artwork depicts Samson's punishment by the Philistines who put out his eyes. This tragic moment symbolizes both physical and emotional torment, leaving Samson with eternal remorse for losing his strength due to succumbing to temptation. Edmund Joseph Sullivan's illustration from Robert Louis Stevenson's "The Strange Case of Dr Jekyll and Mr Hyde" (1927) delves into themes of inner conflict and moral regret. Dr Jekyll's transformation into Mr Hyde represents a descent into darkness fueled by remorseless actions. A poignant WW1 cartoon shows King Ferdinand of Bulgaria depicted alongside Judas, emphasizing how betrayal can haunt one forever. Remorse is etched upon their faces as they grapple with their treacherous deeds during wartime turmoil. Sergeant Ian Richardson featured in a photograph capturing Glasgow graffiti clean-up in 1977, reminding us that they are manifest in various forms.