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Poster Print : Conquete of Algeria (1830-1847): the submission of Abd el Kader (Abd-el-Kader or ibn Muhyi al-Din al-Hasani (al Din al-Hasani) (1808-1883) to the Duke of Aumale and the French Armee on 24 / 12 / 1847 - Painting by Regis Augustin (1813-1880)
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Conquete of Algeria (1830-1847): the submission of Abd el Kader (Abd-el-Kader or ibn Muhyi al-Din al-Hasani (al Din al-Hasani) (1808-1883) to the Duke of Aumale and the French Armee on 24 / 12 / 1847 - Painting by Regis Augustin (1813-1880)
LRI4676068 Conquete of Algeria (1830-1847): the submission of Abd el Kader (Abd-el-Kader or ibn Muhyi al-Din al-Hasani (al Din al-Hasani) (1808-1883) to the Duke of Aumale and the French Armee on 24/12/1847 - Painting by Regis Augustin (1813-1880) 19th century Muscle Sun 0, 41x0, 56 m ee conde Chantilly by Augustin, Regis (1813-1880); Musee Conde, Chantilly, France; (add.info.: Conquete of Algeria (1830-1847): the submission of Abd el Kader (Abd-el-Kader or ibn Muhyi al-Din al-Hasani (al Din al-Hasani) (1808-1883) to the Duke of Aumale and the French Armee on 24/12/1847 - Painting by Regis Augustin (1813-1880) 19th century Muscle Sun 0, 41x0, 56 m ee conde Chantilly); Luisa Ricciarini
Media ID 25161330
© Luisa Ricciarini / Bridgeman Images
Abd Al Kader Abd Al Kadir Abd El Kader 1808 1883 Abdel Kader Abdelkader Algeria Algeria Algerian Algerian Algerians Algerie Maghrebin Maghrebine Arab Civilization Maghreb Maghrebi Maghrebian Sudan
18x24 inch Poster Print
Experience history come to life with our stunning Media Storehouse Poster Print of "The Conquete of Algeria: The Submission of Abd el Kader" by Regis Augustin. This iconic painting captures the pivotal moment in 1847 when Abd el Kader, the legendary Algerian leader, surrendered to the Duke of Aumale and the French Army. Witness the intricate details and rich colors that bring this historic event to your home or office. A must-have for history enthusiasts and art collectors alike. © Luisa Ricciarini, LRI4676068.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The print captures a significant moment in history, depicting the submission of Abd el Kader to the Duke of Aumale and the French Armee on December 24,1847. Painted by Regis Augustin in the 19th century, this artwork titled "Conquete of Algeria (1830-1847): the submission of Abd el Kader" showcases an important event during French colonialism in North Africa. Abd el Kader, also known as ibn Muhyi al-Din al-Hasani, was a prominent figure in Algerian resistance against French occupation. His surrender marked a turning point in the conquest of Algeria and symbolized France's dominance over Arab civilization. In this painting, we see Abd el Kader humbly submitting to his conquerors while surrounded by members of the French army. The artist skillfully portrays both tension and resignation on Abd el Kader's face as he hands over his weapons and surrenders his power. This artwork not only depicts a historical event but also raises questions about imperialism and its impact on African nations. It serves as a reminder of the complex relationship between colonizers and colonized peoples during this period. Displayed at Musee Conde in Chantilly, France, this painting is part of an extensive collection that explores various aspects of art history. Its inclusion sheds light on an often overlooked chapter in European colonial expansion and invites viewers to reflect upon its implications for contemporary society.
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