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Photo Mug : Conquete of Algeria (1830-1847): the submission of Abd el Kader (Abd-el-Kader or ibn Muhyi al-Din al-Hasani (al Din al-Hasani) (1808-1883) to the Duke of Aumale and the French Armee on 24 / 12 / 1847 - Painting by Regis Augustin (1813-1880)
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Conquete of Algeria (1830-1847): the submission of Abd el Kader (Abd-el-Kader or ibn Muhyi al-Din al-Hasani (al Din al-Hasani) (1808-1883) to the Duke of Aumale and the French Armee on 24 / 12 / 1847 - Painting by Regis Augustin (1813-1880)
LRI4676068 Conquete of Algeria (1830-1847): the submission of Abd el Kader (Abd-el-Kader or ibn Muhyi al-Din al-Hasani (al Din al-Hasani) (1808-1883) to the Duke of Aumale and the French Armee on 24/12/1847 - Painting by Regis Augustin (1813-1880) 19th century Muscle Sun 0, 41x0, 56 m ee conde Chantilly by Augustin, Regis (1813-1880); Musee Conde, Chantilly, France; (add.info.: Conquete of Algeria (1830-1847): the submission of Abd el Kader (Abd-el-Kader or ibn Muhyi al-Din al-Hasani (al Din al-Hasani) (1808-1883) to the Duke of Aumale and the French Armee on 24/12/1847 - Painting by Regis Augustin (1813-1880) 19th century Muscle Sun 0, 41x0, 56 m ee conde Chantilly); Luisa Ricciarini
Media ID 25161330
© Luisa Ricciarini / Bridgeman Images
Abd Al Kader Abd Al Kadir Abd El Kader 1808 1883 Abdel Kader Abdelkader Algeria Algeria Algerian Algerian Algerians Algerie Maghrebin Maghrebine Arab Civilization Maghreb Maghrebi Maghrebian Sudan
Large Photo Mug (15 oz)
Bring history to life with our Media Storehouse Photo Mug featuring the iconic painting, "Conquete of Algeria: the submission of Abd el Kader" by Regis Augustin. This beautiful artwork depicts the pivotal moment in 1847 when Abd el Kader, the legendary Algerian leader, surrendered to the Duke of Aumale and the French Army. Each mug is expertly printed with high-quality, vibrant colors to bring out the intricate details of the painting. Perfect for history enthusiasts, collectors, or as a unique gift, this mug is a must-have for any kitchen or office. Sip your favorite beverage while immersing yourself in the rich history of this remarkable moment in time.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
These are individually made so all sizes are approximate
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EDITORS COMMENTS
The print captures a significant moment in history, depicting the submission of Abd el Kader to the Duke of Aumale and the French Armee on December 24,1847. Painted by Regis Augustin in the 19th century, this artwork titled "Conquete of Algeria (1830-1847): the submission of Abd el Kader" showcases an important event during French colonialism in North Africa. Abd el Kader, also known as ibn Muhyi al-Din al-Hasani, was a prominent figure in Algerian resistance against French occupation. His surrender marked a turning point in the conquest of Algeria and symbolized France's dominance over Arab civilization. In this painting, we see Abd el Kader humbly submitting to his conquerors while surrounded by members of the French army. The artist skillfully portrays both tension and resignation on Abd el Kader's face as he hands over his weapons and surrenders his power. This artwork not only depicts a historical event but also raises questions about imperialism and its impact on African nations. It serves as a reminder of the complex relationship between colonizers and colonized peoples during this period. Displayed at Musee Conde in Chantilly, France, this painting is part of an extensive collection that explores various aspects of art history. Its inclusion sheds light on an often overlooked chapter in European colonial expansion and invites viewers to reflect upon its implications for contemporary society.
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