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Poster Print : The Banks of the Irrawaddy, Burma, 1886 (w / c with pen & ink on paper)

The Banks of the Irrawaddy, Burma, 1886 (w  /  c with pen & ink on paper)




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The Banks of the Irrawaddy, Burma, 1886 (w / c with pen & ink on paper)

NAM310762 The Banks of the Irrawaddy, Burma, 1886 (w/c with pen & ink on paper) by English School, (19th century); National Army Museum, London; (add.info.: from an album of seventy-five photographs and sketches compiled (1886-88) by Lord Henry Rawlinson; associated with the 3rd Burma War (1885-87); Third Anglo-Burmese War; ); eNational Army Museum; English, out of copyright

Media ID 23383734

© National Army Museum / Bridgeman Images

Annotated Annotations Anthropology British Empire British India Burmese Landscape Geographical Hills Imperial History Imperialism Jungle Myanmar Pagoda Studies Villages Natives


20x30 inch Poster Print

Experience the rich history of Burma with our exquisite poster print from Media Storehouse. Featuring the captivating artwork "The Banks of the Irrawaddy, Burma, 1886" by the English School, this pen & ink on paper masterpiece from Bridgeman Images captures the essence of a bygone era. Transport yourself back in time with this beautiful and intricately detailed work of art, now available as a high-quality poster print. Perfect for adding character to any room in your home or office.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 76.8cm x 51.4cm (30.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Felice (1825-c.1908) Beato

> Fine Art Finder > Far East

> Arts > Art Movements > Landscapes

> Arts > Landscape paintings > Landscape art

> Arts > Portraits > Landscape paintings > Fine art gallery

> Arts > Realistic drawings > Landscape drawings > Fine art

> Arts > Realistic drawings > Landscape paintings > Fine art

> Asia > India > Related Images

> Asia > Myanmar > Related Images

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Museums > British Museum

> Europe > United Kingdom > England > London > Museums > Imperial War Museum


EDITORS COMMENTS
This print titled "The Banks of the Irrawaddy, Burma, 1886" takes us back in time to the colonial era. Created by an English School artist in the 19th century, this artwork showcases a picturesque scene along the famous Irrawaddy River. The medium used is watercolor with pen and ink on paper, adding depth and detail to every stroke. Part of an album compiled by Lord Henry Rawlinson between 1886 and 1888, this particular piece is associated with the Third Anglo-Burmese War (1885-87). It offers a unique glimpse into British imperialism during that period. The annotations present within the artwork provide valuable insights into both geographical features and anthropological studies of native Burmese villages. As we explore this image further, we are drawn to the lush jungle surrounding the riverbank and hills in the distance. A tugboat gracefully glides across the water while traditional Burmese boats dotting its surface add authenticity to this colonial perspective. In one corner stands a pagoda, symbolizing Myanmar's rich cultural heritage. Through this painting, we can appreciate not only its aesthetic beauty but also its historical significance as it documents a chapter of imperial history under British India's rule. This artwork serves as a reminder of how art can be used to study geography, anthropology, and even transport history across generations.

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