Pillow : Tom Taylor 1876
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Tom Taylor 1876
TOM TAYLOR English dramatist and editor of Punch
1817 - 1880
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14284884
© Mary Evans Picture Library
1876 Dramatist Editor Monocle Punch Taylor Vanity
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This portrait captures the essence of Tom Taylor (1817-1880), an English dramatist and editor of the renowned satirical weekly magazine, Punch. The photograph, taken in 1876, showcases Taylor's distinguished appearance with his monocle, white beard, and avuncular demeanor. His vanity is subtly conveyed through the mirror reflection in the background, adding an intriguing layer to the image. Tom Taylor was a prolific writer, contributing to various publications before joining Punch in 1841. He became a regular contributor and later served as the editor from 1851 to 1855. During his tenure, he oversaw the magazine's transition into a more serious and satirical tone, which helped solidify its place in British popular culture. The photograph's composition emphasizes Taylor's intellectual and creative prowess. The mirror reflection not only adds an element of self-awareness but also highlights the meticulous attention to detail that was essential in his work as an editor and writer. Taylor's monocle and white beard, which were characteristic features of his appearance, further emphasize his status as a respected figure in the literary world of the time. This image of Tom Taylor, taken in 1876, not only serves as a testament to his professional accomplishments but also offers a glimpse into the personality of a man who played a significant role in shaping the satirical landscape of Victorian England.
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