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Pillow : Susanna Elders Francis van Bossuit Flemish 1635

Susanna Elders Francis van Bossuit Flemish 1635




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Susanna Elders Francis van Bossuit Flemish 1635

Susanna and the Elders; Francis van Bossuit (Flemish, 1635 - 1692); Amsterdam, Netherlands; about 1690; Ivory, with carved and gilded wood frame; 26 x 15.9 cm (10 1, 4 x 6 1, 4 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18491210

© Liszt Collection

10 1 1635 1690 1692 26 X Carved Elders Flemish Frame Gilded Wood Ivory Susanna


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This print showcases the exquisite artwork titled "Susanna and the Elders" by Francis van Bossuit, a renowned Flemish artist from the 17th century. The piece is believed to have been created around 1690 in Amsterdam, Netherlands. Measuring at 26 x 15.9 cm (10 1/4 x 6 1/4 in. ), this delicate masterpiece is crafted from ivory and presented within a meticulously carved and gilded wood frame. The subject of this artwork revolves around the biblical story of Susanna and her encounter with two elders who attempt to blackmail her into engaging in immoral acts. Van Bossuit's interpretation skillfully captures the tension and vulnerability of Susanna as she finds herself trapped in an unjust situation. The intricate details on both the ivory sculpture and its ornate frame highlight Van Bossuit's exceptional craftsmanship. The delicacy of his carving technique brings life to every curve, expression, and texture depicted in this scene. This print allows art enthusiasts to appreciate Van Bossuit's talent while also preserving a piece of history for generations to come. Whether displayed as part of a private collection or exhibited publicly, it serves as a testament to Flemish artistry during the Golden Age.

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