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Pillow : Montage of Ecclesiastical Figures Posed in Political Satire, 1860s. Creator: Unknown
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Montage of Ecclesiastical Figures Posed in Political Satire, 1860s. Creator: Unknown
Montage of Ecclesiastical Figures Posed in Political Satire, 1860s. [Rev. J. Tweed, Rev. W. Ince, Rev. J.P. Lightfoot, G. Ridding, Rev. Wollaston, Rev. Tozer, Rev. A. Lowe, Rec. C.E. Hammond]
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Media ID 20167033
© Heritage Art/Heritage Images
Belief Charles Darwin Charles Robert Churchman Clergyman Clergymen Cleric Collage Creationism Darwin Darwin Charles Robert Darwinism Ecclesiastical Evolution Funny Mammal Monkey Monkies Primate Theory Of Evolution Albumen Silver Print
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This intriguing print captures a fascinating montage of ecclesiastical figures posed in political satire during the 1860s. The creator remains unknown, adding an air of mystery to this thought-provoking piece. The image features prominent clergymen such as Rev. J. Tweed, Rev. W. Ince, Rev. J. P. Lightfoot, G. Ridding, Rev. Wollaston, Rev. Tozer, Rev A. Lowe, and Rec C. E. Hammond. The composition cleverly combines elements of religion and politics with a touch of humor and wit that was characteristic of the era's satirical artistry. The inclusion of an animal motif adds another layer to the narrative; an ape symbolizing Charles Darwin's theory of evolution is prominently featured among these religious figures. This photograph serves as a testament to the cultural climate in 19th century Britain where concepts like creationism clashed with emerging scientific theories like Darwinism. This clash between belief systems is captured through this collage-like arrangement that challenges traditional notions while providing social commentary on both religion and science. Preserved by The Metropolitan Museum of Art (The Met), this heritage artwork invites viewers to reflect on the intersectionality between faith and politics during a pivotal period in history. It reminds us that even within religious institutions there existed diverse perspectives and debates surrounding important societal issues.
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