Creationism Collection

A needlework picture depicting Adam and Eve, 17th century (needlework)
7141197 A needlework picture depicting Adam and Eve, 17th century (needlework) by Ellys, Anne (17th century); 21.5x25.5 cm; Parham House, West Sussex

Philip Henry Gosse, British naturalist and marine biologist (b / w photo)
7172084 Philip Henry Gosse, British naturalist and marine biologist (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Philip Henry Gosse (1810-1888)

Krishna uplifts the Mountain Goverdhana (engraving)
7182567 Krishna uplifts the Mountain Goverdhana (engraving) by English School, (19th century); Private Collection; (add.info.: Krishna uplifts the Mountain Goverdhana)

Vishnu and Lakshmi on Sesha or Ananta contemplating the Creation with Brahma springing on a Lotus from his Navel to
7182600 Vishnu and Lakshmi on Sesha or Ananta contemplating the Creation with Brahma springing on a Lotus from his Navel to perform it (engraving) by English School

Title page of The Birth of Mankind, 1614 (engraving)
7185632 Title page of The Birth of Mankind, 1614 (engraving) by English School, (17th century) (after); Private Collection; (add.info.: Title page of The Birth of Mankind, 1614)

The Creation of Eve, 1570 / 80. Creator: Paolo Veronese
The Creation of Eve, 1570/80. [According to the Bible, God created Eve from one of Adams ribs]

Portrait of Usher, Archbishop of Armagh, illustration from
745947 Portrait of Usher, Archbishop of Armagh, illustration from Heads of Illustrious Persons of Great Britain, pub. by Knapton, London 1742 (engraving) by Houbraken

Punch cartoon: Monkeyana - creationism versus science (engraving)
6034735 Punch cartoon: Monkeyana - creationism versus science (engraving) by English School, (19th century); Private Collection; (add.info.: Punch cartoon: Monkeyana - creationism versus science)

James Ussher, Irish Protestant clergyman (engraving)
3638181 James Ussher, Irish Protestant clergyman (engraving) by English School, (17th century); Private Collection; (add.info.: James Ussher (1581-1656)

The Seventh Day, 1920. Creator: Ernst Barlach
The Seventh Day, 1920

The Creation of Eve. Creators: Lucas Cranach the Younger
The Creation of Eve

God Creating the Animals, ca. 1590-1630. Creator: Antonio Tempesta
God Creating the Animals, ca. 1590-1630

Montage of Ecclesiastical Figures Posed in Political Satire, 1860s. Creator: Unknown
Montage of Ecclesiastical Figures Posed in Political Satire, 1860s. [Rev. J. Tweed, Rev. W. Ince, Rev. J.P. Lightfoot, G. Ridding, Rev. Wollaston, Rev. Tozer, Rev. A. Lowe, Rec. C.E. Hammond]

The ica stone. A dinosaur killing a man. Creator: The Ica stones
The ica stone. A dinosaur killing a man. Found in the Collection of Museo de piedras grabadas de Ica

The ica stone. A man killing a dinosaur. Creator: The Ica stones
The ica stone. A man killing a dinosaur. Found in the Collection of Museo de piedras grabadas de Ica

The Protagonists of Dayton, Tennessee, USA, 1925. American lawyers Clarence Darrow (1857-1938) and William Jennings Bryan (1860-1925) at the Scopes Trial

Prehistoric Peeps: A Night Lecture on Evolution, 1894. Artist: Edward Tennyson Reed
Prehistoric Peeps: A Night Lecture on Evolution, 1894. Satirical cartoon showing creatures halfway between men and monkeys listening to a lecture. The lectern is in the form of a pteradoctyl

The Last Stand Modernists Modernism Versus V
The Last Stand. 19th century illustration depicting confrontation between Science and Superstition. Modernism versus Fundamentalism. Evolution versus Creationism. After an 1899 work by Udo J

The Great Chain of Being from Retorica Christiana by Didacus Valades, printed in 1579
XJF347996 The Great Chain of Being from Retorica Christiana by Didacus Valades, printed in 1579 (woodcut) (b/w photo) by Italian School

Book of Hours of the Countess of Bertiandos. 16th c. The creation of the world. Miniature Painting. PORTUGAL. Lisbon. Academia das Ciꮣ ias de Lisboa (Academy of Sciences of Lisbon)

Man Monk Monkey (litho)
XJF444339 Man Monk Monkey (litho) by English School, (19th century); Private Collection; (add.info.: A satire of Darwins theory of evolution; Printed by Schenck & McFarlane; ); English

James Ussher, engraved by George Vertue, 1738 (engraving)
XJF394223 James Ussher, engraved by George Vertue, 1738 (engraving) by Lely, Peter (1618-80) (after); Private Collection; (add.info)

Creation, conceptual image
In natural science, abiogenesis or biopoesis is the study of how biological life arises from inorganic matter through natural processes, and the method by which life on Earth arises

Earths creation
Creation of the Earth. Conceptual artwork of the Earths creation. The hands symbolize the creation of the Earth by divine means, and are based upon Michelangelos painting The Creation of Adam

1650 Bishop Usher Portrait tinted 4004BC
1650 Archbishop James Usher (Usser or Ussher). Theologian. 1670 copperplate engraved portrait printed in London for Nathan Ranew and Jonathon Robinson at the Kings Arms in St

1731 Johann Scheuchzer bible flood world
1731 Folio size engraving with later hand colouring showing the progress of the biblical flood across the Earth from Johann Scheuchzers Physica Sacra

1731 Johann Scheuchzer Noahs Ark Flood
1731 Physica Sacra (Sacred Physics) by Johann Scheuzner (1672-1733) loading the Ark, folio copper engraving drawn by a team of engravers under the direction of Johann Andreas Pfeffel (1674-1748)

1789 William Paley Portrait naturalist
William Paley (July 1743 - 25 May 1805). Stippled engraving published by Joshua Belcher 1810 as frontis to " The Works of William Paley" Volume I

1731 Johann Scheuchzer Creation 4th day
1731 Physica Sacra (Sacred Physics) by Johann Scheuchzer (1672-1733) the fourth day of creation folio copper engraving drawn by a team of engravers under the direction of Johann Andreas Pfeffel

1731 Johann Scheuchzer Hairy Esau Bible
1731 Physica Sacra (Sacred Physics) by Johann Scheuchzer (1672-1733) " Hairy Esau" folio copper engraving drawn by a team of engravers under the direction of Johann Andreas Pfeffel

1731 Scheuchzer Creation Adams rib & Eve 1731 Scheuchzer Creation Adams rib & Eve
1731 Physica Sacra (Sacred Physics) by Johann Scheuchzer (1672-1733) creation of Eve from Adams rib, folio copper engraving drawn by a team of engravers under the direction of Johann Andreas Pfeffel

1882 Darwin et al Reason against Unreason
1882 Puck Magazine chromolithograph by J. Keppler - American publication, German language edition, with English text drawn in cartoon. The text translates as " reason versus unreason"

Fludds account of creation
The Creation. A diagram depicting the Creation of the Universe as the interplay of darkness and light. At the top is God. On the right is divine volunty

Alpine Geology flood evidence Scheuchzer
1731 Copperplate print of alpine geology and recurved strata as evidence of the catastrophe of Noahs Flood. Print is from Johann Jakob Scheuchzers (born August 2nd 1672 - died June 23rd 1733)

1731 Johann Scheuchzer Creation 6th day
1731 Physica Sacra (Sacred Physics) by Johann Scheuchzer (1672-1733) folio copper engraving drawn by a team of engravers under the direction of Johann Andreas Pfeffel (1674-1748)

1731 Johann Scheuchzer Creation 4th day b
1731 Physica Sacra (Sacred Physics) by Johann Scheuchzer (1672-1733) the fourth day of creation, the sun and the moon, folio copper engraving (with later hand colouring)

1650 Bishop Usher Portrait 4004BC
1650 Archbishop James Usher (Usser or Ussher). Theologian. 1670 copperplate engraved portrait printed in London for Nathan Ranew and Jonathon Robinson at the Kings Arms in St. Pauls Church Yard

1731 Scheuchzer Creation Adam & Eve 1731 Scheuchzer Creation Adam & Eve
1731 Physica Sacra (Sacred Physics) by Johann Scheuchzer (1672-1733) creation of Eve from Adams rib, folio copper engraving drawn by a team of engravers under the direction of Johann Andreas Pfeffel

Scheuchzer portrait 17th / 18thC naturalist
Johann Jakob Scheuchzer (born August 2nd 1672 - died June 23rd 1733). Swiss traveller naturalist and geologist. Contemporary Folio size Portrait copper engraving at 59 years old (1731)

1731 Johann Scheuchzer Creation 5 / 6th day
1731 Physica Sacra (Sacred Physics) by Johann Scheuchzer (1672-1733) folio copper engraving of the fifth day of creation (with later hand colouring)

1731 Johann Scheuchzer Creation 5th day
1731 Physica Sacra (Sacred Physics) by Johann Scheuchzer (1672-1733) fifth day of creation (sea creatures) folio copper engraving drawn by a team of engravers under the direction of Johann Andreas

1812 Cuvier on Scheuchzers flood victim
Illustration in Vol. 4 of Cuviers " Ossamens Fossiles" 1812. In 1726 Scheuchzer illustrated Homo Diluvii testis as a fossil human victim of the flood

1731 Johann Scheuchzer Hairy Esau Bible
1731 Physica Sacra (Sacred Physics) by Johann Scheuchzer (1672-1733) " Hairy Esau" folio copper engraving drawn by a team of engravers under the direction of Johann Andreas Pfeffel

1726 Scheuchzer Homo diluvii testis
Homo diluvii testis (evidence of a diluvian human or witness of the flood) from the work of Johann Jakob Scheuchzer (August 2nd 1672 - June 23rd 1733)

Creation of Eve, artwork
Creation of Eve. Medieval artwork of God creating Eve from Adams rib. This scene forms part of Genesis, the first book of the Bible. Image taken from a French Hour book (1520)

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"Exploring the Concept of Creationism through Art and History" This captivating conceptual image takes us on a journey through time, unraveling the intricate tapestry of creationism. A needlework picture from the 17th century portrays Adam and Eve, reminding us of their pivotal role in religious narratives. Philip Henry Gosse, a British naturalist and marine biologist, appears in a black-and-white photo. His presence serves as a reminder that even within scientific circles, discussions around they have persisted throughout history. The engraving depicting Krishna uplifting the Mountain Goverdhana adds an intriguing dimension to our exploration. It showcases how different cultures have embraced creationist beliefs in various forms. Another enchanting engraving reveals Vishnu and Lakshmi contemplating creation while Brahma springs forth from his navel on a lotus to perform it. This depiction highlights the diversity of perspectives surrounding this profound concept. The title page of "The Birth of Mankind, " dating back to 1614, further immerses us into historical interpretations of creationism. The intricately detailed engraving invites contemplation about humanity's origins. Paolo Veronese's masterpiece "The Creation of Eve" transports us directly into biblical times with its vivid portrayal. The artist skillfully captures the essence of this pivotal moment when woman was brought forth into existence. An illustration featuring Usher, Archbishop of Armagh, offers insight into religious figures' engagement with creationism throughout centuries past. Their influence played a significant role in shaping belief systems worldwide. Intriguingly contrasting these historical depictions is an engraving from Punch cartoon titled "Monkeyana - creationism versus science. " It humorously reflects debates between traditional beliefs and scientific advancements during that era. James Ussher's engraved portrait reminds us yet again how influential individuals contributed to shaping our understanding within theological contexts. Ernst Barlach's artwork "The Seventh Day" provides a modern perspective on creationism.