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Pillow : Manuscript with Festival Scenes (image 1 of 2), c1860. Creator: Unknown
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Manuscript with Festival Scenes (image 1 of 2), c1860. Creator: Unknown
Manuscript with Festival Scenes (image 1 of 2), c1860
Heritage Images features heritage image collections
Media ID 36367257
© Heritage Art/Heritage Images
1860s Burma Celebration Festivities Festivity Myanmar Riders South And Southeast Asian Art
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This exquisite 19th century opaque watercolor, gold silver and ink on paper manuscript depicts a lively scene of festival celebrations in Burma, now Myanmar. The image, titled "Manuscript with Festival Scenes (image 1 of 2)" and believed to be created around 1860, showcases a vibrant outdoor setting filled with men and women engaged in various festivities. The painting captures the essence of the Burmese culture, with riders on horseback leading the procession, while others are seated or standing, observing or participating in the joyous occasion. The women, dressed in colorful attire, add a touch of elegance and beauty to the scene, while the men display their strength and vitality through their postures and expressions. The festival scene is set against the backdrop of lush greenery and clear blue skies, further emphasizing the serene and picturesque atmosphere. The intricate details and use of gold and silver in the painting add a sense of grandeur and opulence, making it a valuable piece of South and Southeast Asian art from the 19th century. This manuscript is an important historical artifact, providing a glimpse into the rich cultural heritage of Burma during the 1860s. It is now part of the South and Southeast Asian art collection at the Los Angeles County Museum of Art (LACMA), where it continues to inspire and educate visitors about the diverse and fascinating history of Asia.
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