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Pillow : The Blacksmith, 1771. Creator: Richard Earlom (British, 1743-1822)
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The Blacksmith, 1771. Creator: Richard Earlom (British, 1743-1822)
The Blacksmith, 1771. Joseph Wright of Derbys fame as a painter was enhanced by prints based on his compositions since works on paper, being relatively cheap and widely available, could reach a much larger audience than his oils. Filled with dramatic light effects, Wrights paintings were ideally suited for reproduction in mezzotint. With its velvety texture and subtle tonal variations ranging from rich blacks to delicate shades of gray, mezzotint was the printmaking technique closest to oil painting. Experts like Earlom or William Pether were skilled at transposing paintings into mezzotint while exploiting the unique characteristics of this medium
Heritage Images features heritage image collections
Media ID 19627367
© Heritage Art/Heritage Images
1743 1822 After Mezzotint Richard Earlom Richard Earlom British
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Blacksmith, 1771
EDITORS COMMENTS
is a captivating print that showcases the artistic brilliance of Richard Earlom, a renowned British artist from the 18th century. This masterpiece is based on Joseph Wright of Derby's original painting and exemplifies how prints could amplify an artist's fame by reaching a wider audience compared to oil paintings. Wright's expertise in creating dramatic light effects is beautifully captured in this mezzotint reproduction. Mezzotint, with its velvety texture and subtle tonal variations ranging from rich blacks to delicate shades of gray, closely resembles the depth and richness of oil painting. Earlom, along with other skilled experts like William Pether, excelled at transposing paintings into this medium while preserving its unique characteristics. The Blacksmith himself stands as a symbol of strength and craftsmanship against the backdrop of 18th-century England. The print immerses viewers in the blacksmith's world, where sparks fly amidst glowing embers and muscular arms tirelessly shape molten metal. It evokes a sense of admiration for both his physical prowess and artistic skill. This remarkable print now resides in The Cleveland Museum of Art as part of their heritage collection. Its presence serves as a testament to the enduring legacy left behind by artists like Richard Earlom and Joseph Wright of Derby who revolutionized art through their innovative techniques and ability to captivate audiences across generations.
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