1743 1822 Collection

The Four Markets: The Vegetable Market, 1779. Creator: Richard Earlom (British, 1743-1822)
The Four Markets: The Vegetable Market, 1779

The Four Markets: The Fruit Market, 1775. Creator: Richard Earlom (British, 1743-1822)
The Four Markets: The Fruit Market, 1775

Liber Veritatis: No. 7, An Island Scene of a Mountainous Country with Cattle, 1774

Liber Veritatis: No. 47, A River Scene with the Finding of Moses, 1774. Creator: Richard Earlom
Liber Veritatis: No. 47, A River Scene with the Finding of Moses, 1774

Liber Veritatis: No. 55, A Landscape with a Temple and a Nymph and Satyr Dancing, 1774

Liber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess... 1774
Liber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle, 1774

Liber Veritatis: No. 34, Peasants with Cattle attacked by Bandits, 1774. Creator: Richard Earlom
Liber Veritatis: No. 34, Peasants with Cattle attacked by Bandits, 1774

Liber Veritatis: No. 38, The Repose of the Holy Family along a River, 1774. Creator
Liber Veritatis: No. 38, The Repose of the Holy Family along a River, 1774

Liber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds... 1774
Liber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing, 1774

Liber Veritatis: No. 145, A Landscape, with Figures, Simon brought before Priam, 1776

Liber Veritatis: No. 133, A Landscape, with Cattle, and the Angel Comforting Hagar, 1776

Liber Veritatis: No. 138, A View of the Sea, with Christ Preaching on the Mount (the water below may probably be intended for the Sea of Tiberius), 1776

Liber Veritatis: No. 89, View of a Mountainous Extended Country, 1775. Creator: Richard Earlom
Liber Veritatis: No. 89, View of a Mountainous Extended Country, 1775

Liber Veritatis: No. 68, A Landscape at Sunset with Fishermen Drawing a Net, 1774

Liber Veritatis: No. 50, A River Scene with Tobias and the Angel, 1774. Creator: Richard Earlom
Liber Veritatis: No. 50, A River Scene with Tobias and the Angel, 1774

Liber Veritatis: No. 39, A Landscape with Herdsman Playing a Bagpipe and Goats Browsing, 1774

Liber Veritatis: No. 200, A View on the Sea Shore, with the Story of Jesus, 1777. Creator
Liber Veritatis: No. 200, A View on the Sea Shore, with the Story of Jesus, 1777

Liber Veritatis: No. 160, Tobias and the Angel, 1774. Creator: Richard Earlom (British, 1743-1822)
Liber Veritatis: No. 160, Tobias and the Angel, 1774

Liber Veritatis: No. 135, A Landscape, with Buildings, Mercury Stealing Admetuss Cattle from Apollo, 1776

Liber Veritatis: No. 108, Landscape with Satyrs and Nymphs Dancing, 1775. Creator
Liber Veritatis: No. 108, Landscape with Satyrs and Nymphs Dancing, 1775

Liber Veritatis, 1777. Creator: Richard Earlom (British, 1743-1822)
Liber Veritatis, 1777

The Blacksmith, 1771. Creator: Richard Earlom (British, 1743-1822)
The Blacksmith, 1771. Joseph Wright of Derbys fame as a painter was enhanced by prints based on his compositions since works on paper, being relatively cheap and widely available

A Fruit Piece, 1781. Creator: Richard Earlom (British, 1743-1822)
A Fruit Piece, 1781

A Fruit Piece, 1776. Creator: Richard Earlom (British, 1743-1822)
A Fruit Piece, 1776

A Flower Piece, 1778. Creator: Richard Earlom (British, 1743-1822)
A Flower Piece, 1778

Portrait Antonius Kuyper Clergyman Amsterdam
Portrait of Antonius Kuyper, Clergyman in Amsterdam, Portrait of Antonius Kuyper (1743-1822), pastor in Amsterdam. Bust in oval, to the right, historical persons

Fruit Piece 1781 Richard Earlom British 1743-1822
A Fruit Piece, 1781. Richard Earlom (British, 1743-1822). Mezzotint

Fruit Piece 1776 Richard Earlom British 1743-1822
A Fruit Piece, 1776. Richard Earlom (British, 1743-1822). Mezzotint

Flower Piece 1778 Richard Earlom British 1743-1822
A Flower Piece, 1778. Richard Earlom (British, 1743-1822). Mezzotint

Liber Veritatis No 39 Landscape Herdsman Playing
Liber Veritatis: No. 39, A Landscape with Herdsman Playing a Bagpipe and Goats Browsing, 1774. Richard Earlom (British, 1743-1822). Etching and mezzotint

Liber Veritatis No 25 Mountainous Wooded Landscape
Liber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing, 1774. Richard Earlom (British, 1743-1822). Etching and mezzotint

Liber Veritatis No 42 River Landscape Shepherd
Liber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle, 1774. Richard Earlom (British, 1743-1822). Etching and mezzotint

Liber Veritatis No 38 Repose Holy Family River
Liber Veritatis: No. 38, The Repose of the Holy Family along a River, 1774. Richard Earlom (British, 1743-1822). Etching and mezzotint

Liber Veritatis No 34 Peasants Cattle attacked
Liber Veritatis: No. 34, Peasants with Cattle attacked by Bandits, 1774. Richard Earlom (British, 1743-1822). Etching and mezzotint

Liber Veritatis No 160 Tobias Angel 1774 Richard Earlom
Liber Veritatis: No. 160, Tobias and the Angel, 1774. Richard Earlom (British, 1743-1822). Etching and mezzotint

Liber Veritatis No 36 Pastoral Scene Villagers
Liber Veritatis: No. 36, Pastoral Scene with Villagers and a Herd of Oxen and Goats, 1777. Richard Earlom (British, 1743-1822). Etching and mezzotint

Liber Veritatis No 55 Landscape Temple Nymph
Liber Veritatis: No. 55, A Landscape with a Temple and a Nymph and Satyr Dancing, 1774. Richard Earlom (British, 1743-1822). Etching and mezzotint

Liber Veritatis No 50 River Scene Tobias Angel
Liber Veritatis: No. 50, A River Scene with Tobias and the Angel, 1774. Richard Earlom (British, 1743-1822). Etching and mezzotint

Liber Veritatis No 47 River Scene Finding Moses
Liber Veritatis: No. 47, A River Scene with the Finding of Moses, 1774. Richard Earlom (British, 1743-1822). Etching and mezzotint

Liber Veritatis No 138 View Sea Christ Preaching
Liber Veritatis: No. 138, A View of the Sea, with Christ Preaching on the Mount (the water below may probably be intended for the Sea of Tiberius), 1776

Liber Veritatis No 145 Landscape Figures Simon
Liber Veritatis: No. 145, A Landscape, with Figures, Simon brought before Priam, 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

Liber Veritatis No 135 Landscape Buildings Mercury Stealing Admetusss Cattle
Liber Veritatis: No. 135, A Landscape, with Buildings, Mercury Stealing Admetuss Cattle from Apollo, 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

Liber Veritatis No 108 Landscape Satyrs Nymphs Dancing
Liber Veritatis: No. 108, Landscape with Satyrs and Nymphs Dancing, 1775. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

Liber Veritatis No 7 Island Scene Mountainous Country
Liber Veritatis: No. 7, An Island Scene of a Mountainous Country with Cattle, 1774. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

Liber Veritatis No 200 View Sea Shore Story Jesus
Liber Veritatis: No. 200, A View on the Sea Shore, with the Story of Jesus, 1777. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

Liber Veritatis No 133 Landscape Cattle Angel Comforting Hagar
Liber Veritatis: No. 133, A Landscape, with Cattle, and the Angel Comforting Hagar, 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

Liber Veritatis No 68 Landscape Sunset Fishermen Drawing
Liber Veritatis: No. 68, A Landscape at Sunset with Fishermen Drawing a Net, 1774. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

Liber Veritatis No 89 View Mountainous Extended Country
Liber Veritatis: No. 89, View of a Mountainous Extended Country, 1775. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell

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"1743-1822: The Artistic Journey of Richard Earlom" Step into the world of renowned British artist Richard Earlom (1743-1822) as we explore his captivating works across various genres. From vibrant market scenes to serene landscapes, Earlom's artistic prowess shines through in every brushstroke. In "The Four Markets: The Vegetable Market" (1779), Earlom transports us to a bustling marketplace, where vendors display an array of fresh produce. His attention to detail and mastery of light and shadow bring this scene to life, making you feel as if you're strolling through the stalls yourself. Continuing our journey, "The Four Markets: The Fruit Market" (1775) showcases Earlom's ability to capture the lusciousness and vibrancy of nature. Each fruit seems almost tangible, tempting viewers with their juicy allure, and is a testament to his skill that even after centuries, these fruits still appear plump and ripe. Moving on from markets, we delve into Earlom's series titled "Liber Veritatis. " In "No. 7 - An Island Scene of a Mountainous Country with Cattle" (1774), he presents a picturesque landscape dotted with grazing cattle against majestic mountains. This painting exudes tranquility and invites contemplation amidst nature's beauty. In contrast, "No. 47 - A River Scene with the Finding of Moses" (1774) takes us back in time as we witness this biblical event unfold before our eyes. With meticulous attention given to each figure and their expressions, Earlom captures both the drama and reverence surrounding this momentous occasion. Earlom's versatility shines through once again in "No. 55 - A Landscape with a Temple and a Nymph and Satyr Dancing" (1774). Here he combines elements of mythology within an idyllic landscape setting—a harmonious blend that sparks imagination and invites viewers to create their own narratives.