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Liber Veritatis No 7 Island Scene Mountainous Country
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Liber Veritatis No 7 Island Scene Mountainous Country
Liber Veritatis: No. 7, An Island Scene of a Mountainous Country with Cattle, 1774. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell. Etching and mezzotint printed in brown; sheet: 27.3 x 40.6 cm (10 3/4 x 16 in.); platemark: 20.9 x 25.8 cm (8 1/4 x 10 3/16 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18465186
© Liszt Collection
1604 1682 1743 1822 1774 Brown Cattle Claude Lorrain John Boydell Liber Veritatis Mezzotint Printed Richard Earlom
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This print titled "Liber Veritatis No 7 Island Scene Mountainous Country" transports us to a picturesque landscape filled with natural beauty. Created in 1774 by Richard Earlom, a British artist known for his exceptional etchings and mezzotints, this artwork is based on an original painting by Claude Lorrain, the renowned French painter of the 17th century. The scene depicted in this print showcases an idyllic island surrounded by majestic mountains. The rolling hills are adorned with lush greenery and dotted with grazing cattle, adding life and movement to the composition. The meticulous attention to detail captured through etching and mezzotint techniques brings out the textures of the landscape, creating a sense of depth that draws viewers into this tranquil setting. Measuring at approximately 27.3 x 40.6 cm (10 3/4 x 16 in. ), this print is a testament to Earlom's skillful craftsmanship as he faithfully reproduces Lorrain's original masterpiece. It was published under John Boydell's supervision as part of the "Liber Veritatis" series - Latin for "Book of Truth". This collection aimed to preserve and disseminate important works from various artists throughout history. Whether displayed in a gallery or cherished within your own personal collection, this remarkable print captures both the essence of nature's splendor and pays homage to two influential artists who have left an indelible mark on art history: Richard Earlom
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