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Richard Earlom British Collection

Richard Earlom, a British artist born in 1743 and passed away in 1822, was known for his exquisite works capturing various scenes from different markets and landscapes

Background imageRichard Earlom British Collection: The Four Markets: The Vegetable Market, 1779. Creator: Richard Earlom (British, 1743-1822)

The Four Markets: The Vegetable Market, 1779. Creator: Richard Earlom (British, 1743-1822)
The Four Markets: The Vegetable Market, 1779

Background imageRichard Earlom British Collection: The Four Markets: The Fruit Market, 1775. Creator: Richard Earlom (British, 1743-1822)

The Four Markets: The Fruit Market, 1775. Creator: Richard Earlom (British, 1743-1822)
The Four Markets: The Fruit Market, 1775

Background imageRichard Earlom British Collection: Liber Veritatis: No. 7, An Island Scene of a Mountainous Country with Cattle, 1774

Liber Veritatis: No. 7, An Island Scene of a Mountainous Country with Cattle, 1774

Background imageRichard Earlom British Collection: Liber Veritatis: No. 47, A River Scene with the Finding of Moses, 1774. Creator: Richard Earlom

Liber Veritatis: No. 47, A River Scene with the Finding of Moses, 1774. Creator: Richard Earlom
Liber Veritatis: No. 47, A River Scene with the Finding of Moses, 1774

Background imageRichard Earlom British Collection: Liber Veritatis: No. 55, A Landscape with a Temple and a Nymph and Satyr Dancing, 1774

Liber Veritatis: No. 55, A Landscape with a Temple and a Nymph and Satyr Dancing, 1774

Background imageRichard Earlom British Collection: Liber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess... 1774

Liber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess... 1774
Liber Veritatis: No. 42, A River Landscape with a Shepherd and Shepherdess and a Herd of Cattle, 1774

Background imageRichard Earlom British Collection: Liber Veritatis: No. 34, Peasants with Cattle attacked by Bandits, 1774. Creator: Richard Earlom

Liber Veritatis: No. 34, Peasants with Cattle attacked by Bandits, 1774. Creator: Richard Earlom
Liber Veritatis: No. 34, Peasants with Cattle attacked by Bandits, 1774

Background imageRichard Earlom British Collection: Liber Veritatis: No. 38, The Repose of the Holy Family along a River, 1774. Creator

Liber Veritatis: No. 38, The Repose of the Holy Family along a River, 1774. Creator
Liber Veritatis: No. 38, The Repose of the Holy Family along a River, 1774

Background imageRichard Earlom British Collection: Liber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds... 1774

Liber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds... 1774
Liber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing, 1774

Background imageRichard Earlom British Collection: Liber Veritatis: No. 145, A Landscape, with Figures, Simon brought before Priam, 1776

Liber Veritatis: No. 145, A Landscape, with Figures, Simon brought before Priam, 1776

Background imageRichard Earlom British Collection: Liber Veritatis: No. 133, A Landscape, with Cattle, and the Angel Comforting Hagar, 1776

Liber Veritatis: No. 133, A Landscape, with Cattle, and the Angel Comforting Hagar, 1776

Background imageRichard Earlom British Collection: Liber Veritatis: No. 138, A View of the Sea, with Christ Preaching on the Mount

Liber Veritatis: No. 138, A View of the Sea, with Christ Preaching on the Mount (the water below may probably be intended for the Sea of Tiberius), 1776

Background imageRichard Earlom British Collection: Liber Veritatis: No. 89, View of a Mountainous Extended Country, 1775. Creator: Richard Earlom

Liber Veritatis: No. 89, View of a Mountainous Extended Country, 1775. Creator: Richard Earlom
Liber Veritatis: No. 89, View of a Mountainous Extended Country, 1775

Background imageRichard Earlom British Collection: Liber Veritatis: No. 68, A Landscape at Sunset with Fishermen Drawing a Net, 1774

Liber Veritatis: No. 68, A Landscape at Sunset with Fishermen Drawing a Net, 1774

Background imageRichard Earlom British Collection: Liber Veritatis: No. 50, A River Scene with Tobias and the Angel, 1774. Creator: Richard Earlom

Liber Veritatis: No. 50, A River Scene with Tobias and the Angel, 1774. Creator: Richard Earlom
Liber Veritatis: No. 50, A River Scene with Tobias and the Angel, 1774

Background imageRichard Earlom British Collection: Liber Veritatis: No. 39, A Landscape with Herdsman Playing a Bagpipe and Goats Browsing, 1774

Liber Veritatis: No. 39, A Landscape with Herdsman Playing a Bagpipe and Goats Browsing, 1774

Background imageRichard Earlom British Collection: Liber Veritatis: No. 200, A View on the Sea Shore, with the Story of Jesus, 1777. Creator

Liber Veritatis: No. 200, A View on the Sea Shore, with the Story of Jesus, 1777. Creator
Liber Veritatis: No. 200, A View on the Sea Shore, with the Story of Jesus, 1777

Background imageRichard Earlom British Collection: Liber Veritatis: No. 160, Tobias and the Angel, 1774. Creator: Richard Earlom (British, 1743-1822)

Liber Veritatis: No. 160, Tobias and the Angel, 1774. Creator: Richard Earlom (British, 1743-1822)
Liber Veritatis: No. 160, Tobias and the Angel, 1774

Background imageRichard Earlom British Collection: Liber Veritatis: No. 135, A Landscape, with Buildings, Mercury Stealing Admetuss Cattle

Liber Veritatis: No. 135, A Landscape, with Buildings, Mercury Stealing Admetuss Cattle from Apollo, 1776

Background imageRichard Earlom British Collection: Liber Veritatis: No. 108, Landscape with Satyrs and Nymphs Dancing, 1775. Creator

Liber Veritatis: No. 108, Landscape with Satyrs and Nymphs Dancing, 1775. Creator
Liber Veritatis: No. 108, Landscape with Satyrs and Nymphs Dancing, 1775

Background imageRichard Earlom British Collection: Liber Veritatis, 1777. Creator: Richard Earlom (British, 1743-1822)

Liber Veritatis, 1777. Creator: Richard Earlom (British, 1743-1822)
Liber Veritatis, 1777

Background imageRichard Earlom British Collection: The Blacksmith, 1771. Creator: Richard Earlom (British, 1743-1822)

The Blacksmith, 1771. Creator: Richard Earlom (British, 1743-1822)
The Blacksmith, 1771. Joseph Wright of Derbys fame as a painter was enhanced by prints based on his compositions since works on paper, being relatively cheap and widely available

Background imageRichard Earlom British Collection: A Fruit Piece, 1781. Creator: Richard Earlom (British, 1743-1822)

A Fruit Piece, 1781. Creator: Richard Earlom (British, 1743-1822)
A Fruit Piece, 1781

Background imageRichard Earlom British Collection: A Fruit Piece, 1776. Creator: Richard Earlom (British, 1743-1822)

A Fruit Piece, 1776. Creator: Richard Earlom (British, 1743-1822)
A Fruit Piece, 1776

Background imageRichard Earlom British Collection: A Flower Piece, 1778. Creator: Richard Earlom (British, 1743-1822)

A Flower Piece, 1778. Creator: Richard Earlom (British, 1743-1822)
A Flower Piece, 1778


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Richard Earlom, a British artist born in 1743 and passed away in 1822, was known for his exquisite works capturing various scenes from different markets and landscapes. In "The Four Markets: The Vegetable Market" created in 1779, Earlom skillfully depicts the bustling atmosphere of a vibrant marketplace where vendors display their bountiful harvests. Similarly, in "The Four Markets: The Fruit Market" from 1775, he showcases an array of colorful fruits that tempt the viewer with their lusciousness. One of Earlom's notable pieces is "Liber Veritatis: No. 7, " painted in 1774. This artwork presents an island scene set amidst majestic mountains adorned with grazing cattle. It transports us to a serene landscape where nature's beauty harmonizes with pastoral life. In another work from the same series, "Liber Veritatis: No. 47, " we witness a river scene depicting the biblical tale of Moses' discovery by Pharaoh's daughter. Earlom masterfully captures this pivotal moment as Moses floats among reeds while figures onshore gaze upon him with awe and curiosity. Continuing his exploration of mythological themes, "Liber Veritatis: No. 55" portrays a captivating landscape featuring a temple surrounded by nymphs and satyrs engaged in joyful dance—a testament to Earlom's ability to bring mythical realms to life through his artistry. Earlom also delves into pastoral scenes such as "Liber Veritatis: No. 34, " which depicts peasants tending to their cattle only to be attacked by bandits—an allegory reminding us of the fragility of peace even within idyllic settings. Religious subjects find expression in Earlom's oeuvre too; one example being "Liber Veritatis: No. 38. " Here we see the Holy Family resting along a peaceful riverbank—a poignant moment of tranquility amidst their arduous journey.