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America, one of the Four Continents from the ceiling of the Treppenhaus
XIR30573 America, one of the Four Continents from the ceiling of the Treppenhaus, 1750-53 (fresco) (see also 112348 and 168392) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Residenz, Wurzburg, Germany; (add.info.: largest fresco in the world; an apotheosis of Prince-Bishop Karl Philipp von Greiffenklau; ); Italian, out of copyright
Media ID 12840238
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Cornucopia Crocodile Illusory New World Perspective Squaw Trompe Loeil Wuerzburg
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "America, one of the Four Continents from the ceiling of the Treppenhaus" in all its grandeur. Created by Italian artist Giovanni Battista Tiepolo between 1750 and 1753, this fresco is a true masterpiece that can be found in the Residenz palace in Wurzburg, Germany. The sheer size and complexity of this artwork make it an awe-inspiring sight to behold. It is considered the largest fresco in the world and serves as an apotheosis of Prince-Bishop Karl Philipp von Greiffenklau. The attention to detail is remarkable, with every element meticulously painted to create a sense of depth and realism. In this particular section depicting America, Tiepolo captures various symbolic elements associated with the New World. A native Indian figure stands proudly at the center holding a bow while adorned with an elaborate headdress. Surrounding him are cornucopias overflowing with abundance, representing prosperity and fertility. Trompe l'oeil techniques are employed skillfully throughout this piece, creating illusory effects that deceive the viewer's eye into perceiving three-dimensional objects on a flat surface. One such example is a crocodile seemingly emerging from behind architectural elements. This print allows us to appreciate Tiepolo's genius even if we cannot witness it firsthand at Residenz palace. It offers us a glimpse into history and invites contemplation about art's ability to transcend time and space.
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