Squaw Collection

Three people in Cowboy and Indian costume in studio photo
Three people in Cowboy and Indian costume in a studio photo -- signed The Three Shentons. Date: circa 1910

Ah-e-squee-urt or Little Squaw, Native American Cree woman. 1908

Pennyroyal, Mentha pulegium
Pennyroyal, pudding grass or squaw mint, Mentha pulegium. Handcoloured lithograph by Hanhart after a botanical illustration by David Blair from Robert Bentley and Henry Trimens Medicinal Plants

Red-breasted nuthatch and purple martin
Red-breasted nuthatch, Sitta canadensis, male 1, and purple martin, Progne subis, male 2, and female 3. Chromolithograph after an ornithological illustration by John James Audubon from Benjamin Harry

Entrance of the Chapel of the Holy Sepulchre, 1800s. Ingresso alla Cappella del S. Sepolcro. Handcoloured copperplate engraving by Corsi after Giulio Ferrario in his Costumes Ancient

David Frances Barry photo - Ree Squaws
Ree Squaw women and children with wooden houses in the background. The wives and children of Struck𢹰 the𒥥, a chief of the Native American Yankton Sioux tribe

The Fragile Squaw
Alexandre Brouzes

North American Indians, pub. 1845 (colour lithograph). Creator: George Catlin (1796 - 1872)
North American Indians, from Catlins North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America, pub. 1845 (colour lithograph)

English and American Art Gallery book. Publishesd pre 1900. Highly finished steel engravings, edited by John Sherer.Ojibbeways (or Chippewas) indians, Pa-tua- na-quet-a-wee-be, the Driving Cloud

Two women in costume with horse in studio photo
Two women in costume, one dressed as a cowboy, the other dressed as a native American Indian, with a horse in a studio photo. circa 1910

Western Canada - Indian Squaw with Travois. A travois (formerly travoy or travoise) is a historical frame structure that was used by indigenous peoples, notably the Plains Indians of North America

Advertisement for The Sheboygan Boot & Shoe Co, c. 1900
Advertisement for The Sheboygan Boot & Shoe Co. c. 1900 (colour lithograph)

Group of people in Native American Indian costume, Cornwall
Group of people in Native American Indian costume at a Country and Western Club in Cornwall. Date: circa 1980s

Bulls Head Indian, Squaw and Dog, Canada
A member of the Blackfoot tribe and his squaw stand outside their wigwam. Their dog is attached to a harness and poles. Date: circa 1895

Native American Sioux, carrying baby with a squaw
Native American Sioux, carrying her baby on her back with a squaw

Racial / Dakota / Fuel 1853
Dakota Indian squaw gathering fuel Date: 1853

Ww1 Cartoon / Chief / Squaw
The American Chief and his French squaw... Date: August 1918

Western Canada - Kissipimi Otunna (Tsuut ina Nation Squaw)
Western Canada - Tsuut ina Nation (formerly Sarsi, Scarcee or Sarcee) Kissipimi Otunna - a Squaw on horseback outside her teepee. Date: 1928

An Indian Girls Devotion by F N Brownmann
Promotional postcard for An Indian Girls Devotion by F. N. Brownmann. First produced in England at the Holloway Empire 26th January 1914, according to The Stage Year Book 1915

Ruth Roland - American stage and film actress
Ruth Roland (1892-1937) - an American stage and film actress and film producer. She appeared in her first film for Kalem Studios in 1909

Stage production of The Squaw Man
Stage production of a play, The Squaw Man (written 1905), by Edwin Milton Royle, starring William Faversham (1868-1940) as Captain James Wynnegate. Date: early 20th century

Birthday card, seven today, depicting a girl and boy in Red Indian dress outside a wigwam. Date: 20th century

Flathead Woman Uses Travois
Montana: 1926. A Flathead Native American pulls her children on a travois on her way to the settlement in Montana where they will depart for the Chicago Rodeo.There they will pitch their camp in

William Faversham in The squaw man. Date c1905

Pee Viggi and squaw. Date c1899

American lady dressed as Red Indian Girl
A very (non-native!) American lady dressed as a Red Indian Girl with long brunette braided hair and full feather headdress, necklace and squaws kaftan. Date: 1913

Blackfoot Squaw and Baby in Papoose - Canada, North West Territory Date: circa 1910s

Victoria, British Columbia - Songhees Squaw
Victoria, British Columbia, Canada - Songhees Indian Squaw. The Songhees or Songish, also known as the Lekwungen or Lekungen

Aupoakte Win. kills Morning Squaw and Child (Papoose) Date: circa 1910

Myth / Old Squaw / Moon / Star
Old Squaw spirit, hanging up the clouds, moons and stars. Date: 1905

Racial / Navajo Squaw
A Navaho squaw

Racial / Seminole Squaw
Seminole squaw sitting on a rock

Racial / Cheyenne Squaw
Cheyenne squaw

Mohave Americans
Two warriors and a squaw of the Mohave people : all wear elaborate tattoos covering the greater part of their bodies

Racial / Cree Squaw C1830
A Cree squaw with her papoose Date: circa 1830

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In a captivating studio photo, three individuals donning Cowboy and Indian costumes transport us to the Wild West era. The fusion of cultures and historical narratives is evident as they embody characters from different backgrounds. Another intriguing image showcases Saguaro Gatherers, capturing the essence of Native American traditions in their harmonious relationship with nature. These gatherers demonstrate their deep connection to the land, preserving ancient customs passed down through generations. Ah-e-squee-urt or Little Squaw stands proudly in her Cree attire, representing the strength and resilience of Native American women. Her presence serves as a reminder of the rich cultural heritage that continues to thrive despite adversities faced by indigenous communities. A glimpse into history takes us to Pine Ridge, South Dakota circa 1910, where Sioux Indians stand tall against an unforgiving backdrop. This black-and-white photograph encapsulates both pride and struggle experienced by these resilient people throughout their history. The next studio photo features two women adorned in elaborate costumes alongside a majestic horse. Their enigmatic expressions leave us wondering about the stories behind this enchanting scene—a testament to human imagination transcending time and place. The Snake Priest captivates our attention with his mystical aura captured through photography. His ceremonial role within his community reflects spiritual practices deeply rooted in Native American culture—an embodiment of ancient wisdom preserved across centuries. A vibrant lithograph portrays a Mohave Indian squaw tenderly cradling her papoose—a heartwarming depiction of maternal love amidst breathtaking landscapes painted with vivid colors. It reminds us of the universal language spoken between mothers and children across diverse cultures. Kiowa Squaw portrayed in watercolor transports us back to 1934—her stoic gaze revealing tales untold yet etched onto her face like lines on parchment paper. Through artistry, we catch glimpses into lives lived long ago—stories waiting patiently for someone willing to listen. Nature's beauty comes alive as Red-breasted nuthatch and purple martin grace the canvas of life.