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Photographic Print : Sost. Edmond. 30 ans, ne a Serqueux (Seine-Inferieure) le 15 / 11 / 64

Sost. Edmond. 30 ans, ne a Serqueux (Seine-Inferieure) le 15  /  11  /  64




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Sost. Edmond. 30 ans, ne a Serqueux (Seine-Inferieure) le 15 / 11 / 64

Sost. Edmond. 30 ans, ne a Serqueux (Seine-Inferieure) le 15/11/64. Ciseleur. Anarchiste. 1/7/94. 1894

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Media ID 20137096

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print


10"x8" Photo Print

Step back in time with this captivating photograph from the Media Storehouse archives. Featuring Sost. Edmond, a 30-year-old man born in Serqueux, Seine-Inferieure, on November 15, 1864. Known as a ciseauleur and an anarchist, Edmond's intriguing story is brought to life through this stunning image captured by renowned French photographer Alphonse Bertillon in 1894. Add this historic print to your collection and bring a piece of the past into your home or office.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 18.1cm x 25.4cm (7.1" x 10")

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Seine

> Europe > France > Le Mans

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This print captures the enigmatic figure of Sost. Edmond, a 30-year-old ciseleur from Serqueux (Seine-Inferieure), born on November 15,1864. Taken by renowned French photographer Alphonse Bertillon in July 1894, this image is part of his groundbreaking anthropometric collection. Sost. Edmond's piercing gaze and defiant expression reveal more than just a mugshot; they reflect his anarchist beliefs and political activism during a time of social unrest in France. This photograph serves as both an identification tool for law enforcement and a testament to the power of visual anthropology. Bertillon's meticulous approach to photography allowed him to develop the concept of "bertillonage" which revolutionized criminal identification techniques in the late 19th century. His work at The Metropolitan Museum of Art showcases not only his technical mastery but also his contribution to the field of physical anthropology. As we delve into this intriguing portrait, we are transported back in time, immersing ourselves in an era where crime, politics, and science intersected with remarkable intensity. Sost. Edmond becomes more than just a subject; he represents an entire generation marked by rebellion against societal norms. Through this rare glimpse into history captured through Bertillon's lens, we are reminded that photographs have the power to transcend time and tell stories that go beyond mere documentation - stories that speak volumes about our shared human experience.

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