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Metal Print : Sost. Edmond. 30 ans, ne a Serqueux (Seine-Inferieure) le 15 / 11 / 64

Sost. Edmond. 30 ans, ne a Serqueux (Seine-Inferieure) le 15  /  11  /  64



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Sost. Edmond. 30 ans, ne a Serqueux (Seine-Inferieure) le 15 / 11 / 64

Sost. Edmond. 30 ans, ne a Serqueux (Seine-Inferieure) le 15/11/64. Ciseleur. Anarchiste. 1/7/94. 1894

Heritage Images features heritage image collections

Media ID 20137096

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Silver Print


16"x20" (51x41cm) Metal Print

Bring history to life with our exquisite Metal Prints featuring the iconic image of Sost. Edmond, a 30-year-old anarchist from Serqueux, Seine-Inferieure, captured by renowned photographer Alphonse Bertillon in 1894. This timeless black-and-white portrait, taken on November 15, 164, showcases the intricate details and textures of the original photograph. Our premium Metal Prints not only enhance the visual appeal of this historical image but also offer a durable and modern presentation. Each print is meticulously crafted using high-quality materials and state-of-the-art printing techniques to ensure a stunning, vibrant, and long-lasting display. Elevate your home or office decor with this captivating piece of history.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Seine

> Europe > France > Le Mans

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This print captures the enigmatic figure of Sost. Edmond, a 30-year-old ciseleur from Serqueux (Seine-Inferieure), born on November 15,1864. Taken by renowned French photographer Alphonse Bertillon in July 1894, this image is part of his groundbreaking anthropometric collection. Sost. Edmond's piercing gaze and defiant expression reveal more than just a mugshot; they reflect his anarchist beliefs and political activism during a time of social unrest in France. This photograph serves as both an identification tool for law enforcement and a testament to the power of visual anthropology. Bertillon's meticulous approach to photography allowed him to develop the concept of "bertillonage" which revolutionized criminal identification techniques in the late 19th century. His work at The Metropolitan Museum of Art showcases not only his technical mastery but also his contribution to the field of physical anthropology. As we delve into this intriguing portrait, we are transported back in time, immersing ourselves in an era where crime, politics, and science intersected with remarkable intensity. Sost. Edmond becomes more than just a subject; he represents an entire generation marked by rebellion against societal norms. Through this rare glimpse into history captured through Bertillon's lens, we are reminded that photographs have the power to transcend time and tell stories that go beyond mere documentation - stories that speak volumes about our shared human experience.

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