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Photographic Print : Shunkan Watching Enviously from Kikai Island as Yasuyori Returns to the Capitol after Bein... 1886. Creator: Tsukioka Yoshitoshi

Shunkan Watching Enviously from Kikai Island as Yasuyori Returns to the Capitol after Bein... 1886. Creator: Tsukioka Yoshitoshi




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Shunkan Watching Enviously from Kikai Island as Yasuyori Returns to the Capitol after Bein... 1886. Creator: Tsukioka Yoshitoshi

Shunkan Watching Enviously from Kikai Island as Yasuyori Returns to the Capitol after Being Unexpectedly Pardoned (Shunkan sozu Kikaigashima ni oite tamatama Yasuyori no shamen senbo kito no zu), 1886

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Media ID 25325207

© Heritage Art/Heritage Images

Cartouche Cliff Cliffs Crashing Cream Cream Colour Desperate Exile Exiled Island Meiji Era Meiji Period Oban Taiso Tsukioka Yoshitoshi Vertical Oban Diptych Wave Waves Yoshitoshi Tsukioka Color Woodblock Print


12"x8" Photo Print

Step into the rich history of Japanese art with this stunning photographic print from Tsukioka Yoshitoshi's Media Storehouse collection. Witness the captivating scene of "Shunkan Watching Enviously from Kikai Island as Yasuyori Returns to the Capitol after Being Unexpectedly Pardoned." This iconic woodblock print, titled "Shunkan sozu Kikaigashima ni oite tamatama Yasuyori no shamen senbo kito no zu," showcases the intricate detail and masterful storytelling that defined Yoshitoshi's work in the late 19th century. Immerse yourself in the vivid colors and dynamic composition as Shunkan, filled with envy and longing, watches from afar as Yasuyori triumphantly returns to the capital. A must-have for art enthusiasts and collectors alike, this photographic print is a testament to the enduring beauty and cultural significance of traditional Japanese art.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 10.8cm x 30.4cm (4.3" x 12")

Estimated Product Size is 20.3cm x 30.5cm (8" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > T > Yoshitoshi Taiso

> Arts > Artists > Y > Tsukioka Yoshitoshi

> Arts > Artists > Y > Yoshitoshi

> Asia > Japan > Related Images

> Europe > United Kingdom > Scotland > Strathclyde > Oban


Shunkan's Envious Gaze - A Tale of Longing and Redemption

EDITORS COMMENTS
. In this woodblock print by Tsukioka Yoshitoshi, we are transported to the 12th century as we witness a poignant moment from the epic Japanese tale, "The Tale of the Heike". The print titled "Shunkan Watching Enviously from Kikai Island as Yasuyori Returns to the Capitol after Being Unexpectedly Pardoned" beautifully captures the emotional turmoil experienced by Shunkan. Set against a backdrop of towering cliffs and crashing waves, Shunkan is exiled on Kikai Island while his companion Yasuyori returns triumphantly to the capital. The artist skillfully uses color and composition to convey Shunkan's desperate longing for freedom and redemption. The cream-colored waves symbolize both hope and despair as they relentlessly crash against the shore. Yoshitoshi masterfully portrays Shunkan's yearning through his intense gaze towards Yasuyori's departure. His green robe blends with nature, emphasizing his connection with Kikai Island while simultaneously highlighting his isolation. This vertical oban diptych format adds depth to the narrative, allowing us to immerse ourselves in this historical moment. This woodblock print not only showcases Yoshitoshi's technical brilliance but also serves as a reminder of Japan's rich literary heritage. It invites viewers into an ancient world filled with honor, betrayal, and ultimately redemption. As we contemplate this mesmerizing artwork at the Art Institute of Chicago or any other art center fortunate enough to house it, we can't help but be moved by Shunkan’s story - a timeless tale that continues to resonate across centuries.

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