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Metal Print : Shunkan Watching Enviously from Kikai Island as Yasuyori Returns to the Capitol after Bein... 1886. Creator: Tsukioka Yoshitoshi
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Shunkan Watching Enviously from Kikai Island as Yasuyori Returns to the Capitol after Bein... 1886. Creator: Tsukioka Yoshitoshi
Shunkan Watching Enviously from Kikai Island as Yasuyori Returns to the Capitol after Being Unexpectedly Pardoned (Shunkan sozu Kikaigashima ni oite tamatama Yasuyori no shamen senbo kito no zu), 1886
Heritage Images features heritage image collections
Media ID 25325207
© Heritage Art/Heritage Images
Cartouche Cliff Cliffs Crashing Cream Cream Colour Desperate Exile Exiled Island Meiji Era Meiji Period Oban Taiso Tsukioka Yoshitoshi Vertical Oban Diptych Wave Waves Yoshitoshi Tsukioka Color Woodblock Print
16"x24" (61x41cm) Metal Print
Experience the rich history and intrigue of feudal Japan with our stunning Metal Print of "Shunkan Watching Enviously from Kikai Island as Yasuyori Returns to the Capitol after Being Unexpectedly Pardoned" by the renowned artist Tsukioka Yoshitoshi. This captivating woodblock print, titled "Shunkan sozu Kikaigashima ni oite tamatama Yasuyori no shamen senbo kito no zu," depicts the moment of tension and emotion as Shunkan, left behind on Kikai Island, gazes longingly at the returning samurai Yasuyori. Immerse yourself in the vibrant colors and intricate details of this Heritage Image masterpiece, now available as a sleek and durable Metal Print. A perfect addition to any art collection or Japanese decor.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Shunkan's Envious Gaze - A Tale of Longing and Redemption
EDITORS COMMENTS
. In this woodblock print by Tsukioka Yoshitoshi, we are transported to the 12th century as we witness a poignant moment from the epic Japanese tale, "The Tale of the Heike". The print titled "Shunkan Watching Enviously from Kikai Island as Yasuyori Returns to the Capitol after Being Unexpectedly Pardoned" beautifully captures the emotional turmoil experienced by Shunkan. Set against a backdrop of towering cliffs and crashing waves, Shunkan is exiled on Kikai Island while his companion Yasuyori returns triumphantly to the capital. The artist skillfully uses color and composition to convey Shunkan's desperate longing for freedom and redemption. The cream-colored waves symbolize both hope and despair as they relentlessly crash against the shore. Yoshitoshi masterfully portrays Shunkan's yearning through his intense gaze towards Yasuyori's departure. His green robe blends with nature, emphasizing his connection with Kikai Island while simultaneously highlighting his isolation. This vertical oban diptych format adds depth to the narrative, allowing us to immerse ourselves in this historical moment. This woodblock print not only showcases Yoshitoshi's technical brilliance but also serves as a reminder of Japan's rich literary heritage. It invites viewers into an ancient world filled with honor, betrayal, and ultimately redemption. As we contemplate this mesmerizing artwork at the Art Institute of Chicago or any other art center fortunate enough to house it, we can't help but be moved by Shunkan’s story - a timeless tale that continues to resonate across centuries.
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