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Photographic Print : Seated woman in white coat, 1952. Creator: Shirley Markham
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Seated woman in white coat, 1952. Creator: Shirley Markham
Seated woman in white coat, 1952. Model in a drawing class. Shirley Markham (1931-1999) studied Graphic Design and Illustration at Central School of Art in London from 1950-1952. The writer, artist, poet, and illustrator Mervyn Peake (1911-1968) was one of her tutors, and her style of drawing was also influenced by other British illustrators such as Edward Ardizzone, Quentin Blake and Edward Bawden. Markham spent time in the Dolomite Mountains in Italy, and also visited Rome, sketching classical buildings. After graduating from Central, she worked as a graphic designer, producing book illustrations, cartoons for comics, menus and programmes. She gave up her promising career however when she got married in 1957. Middle-class women at that time were expected to devote their energies to bringing up children and running the home, and despite her obvious talent, she lacked the confidence to return to illustration. Her portfolio remained in the family attic for many years, but now her work is published here for the first time
Heritage Images features heritage image collections
Media ID 18265711
© Shirley Markham Collection / Heritage-Images
1950s Art School Doctor Fifties Markham Model National Health Service Physician Posing School Shirley Shirley Jane Shirley Jane Markham Shirley Markham Shirley Waite Waite White Coat Gouache
10"x8" Photo Print
Step back in time with this elegant vintage photograph from Media Storehouse's collection. Captured in 1952 by acclaimed illustrator Shirley Markham, this timeless image features a woman in a white coat, intently focused during a drawing class. Markham's exceptional attention to detail and ability to convey a sense of quiet concentration make this print an exquisite addition to any home or office. Bring a touch of mid-century charm to your space with this classic piece from our Heritage Images archive.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a seated woman in a white coat, dating back to 1952. The creator of this remarkable piece is Shirley Markham, an artist who studied Graphic Design and Illustration at the prestigious Central School of Art in London during the early 1950s. Under the guidance of renowned writer, artist, poet, and illustrator Mervyn Peake, Markham honed her skills and developed a unique style influenced by British illustrators such as Edward Ardizzone, Quentin Blake, and Edward Bawden. During her time as a student, Markham had the opportunity to travel to Italy where she immersed herself in the beauty of the Dolomite Mountains and sketched classical buildings in Rome. After graduating from Central School of Art, she embarked on a successful career as a graphic designer producing book illustrations, comics cartoons menus, and programs. However promising her career may have been, societal expectations prevailed when she married in 1957. Middle-class women were expected to prioritize their roles as homemakers and mothers over professional pursuits. Despite possessing undeniable talent for illustration, Makrham lacked confidence to return to her craft after marriage. For years her portfolio remained hidden away in the family attic until now; finally revealing Markham's incredible work for all to appreciate for the first time through this publication by Heritage Images
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