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Fine Art Print : Seated woman in white coat, 1952. Creator: Shirley Markham
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Seated woman in white coat, 1952. Creator: Shirley Markham
Seated woman in white coat, 1952. Model in a drawing class. Shirley Markham (1931-1999) studied Graphic Design and Illustration at Central School of Art in London from 1950-1952. The writer, artist, poet, and illustrator Mervyn Peake (1911-1968) was one of her tutors, and her style of drawing was also influenced by other British illustrators such as Edward Ardizzone, Quentin Blake and Edward Bawden. Markham spent time in the Dolomite Mountains in Italy, and also visited Rome, sketching classical buildings. After graduating from Central, she worked as a graphic designer, producing book illustrations, cartoons for comics, menus and programmes. She gave up her promising career however when she got married in 1957. Middle-class women at that time were expected to devote their energies to bringing up children and running the home, and despite her obvious talent, she lacked the confidence to return to illustration. Her portfolio remained in the family attic for many years, but now her work is published here for the first time
Heritage Images features heritage image collections
Media ID 18265711
© Shirley Markham Collection / Heritage-Images
1950s Art School Doctor Fifties Markham Model National Health Service Physician Posing School Shirley Shirley Jane Shirley Jane Markham Shirley Markham Shirley Waite Waite White Coat Gouache
20"x16" (+3" Border) Fine Art Print
Experience the timeless elegance of vintage art with our Seated Woman in White Coat print from the Media Storehouse Fine Art collection. This captivating piece, created by acclaimed illustrator Shirley Markham in 1952, captures the essence of a model deep in concentration during a drawing class. Markham's intricate brushstrokes bring the woman's grace and serenity to life, transporting you back in time. Add this exquisite work of art to your home or office to infuse a touch of classic beauty and sophistication.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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This print captures a seated woman in a white coat, dating back to 1952. The creator of this remarkable piece is Shirley Markham, an artist who studied Graphic Design and Illustration at the prestigious Central School of Art in London during the early 1950s. Under the guidance of renowned writer, artist, poet, and illustrator Mervyn Peake, Markham honed her skills and developed a unique style influenced by British illustrators such as Edward Ardizzone, Quentin Blake, and Edward Bawden. During her time as a student, Markham had the opportunity to travel to Italy where she immersed herself in the beauty of the Dolomite Mountains and sketched classical buildings in Rome. After graduating from Central School of Art, she embarked on a successful career as a graphic designer producing book illustrations, comics cartoons menus, and programs. However promising her career may have been, societal expectations prevailed when she married in 1957. Middle-class women were expected to prioritize their roles as homemakers and mothers over professional pursuits. Despite possessing undeniable talent for illustration, Makrham lacked confidence to return to her craft after marriage. For years her portfolio remained hidden away in the family attic until now; finally revealing Markham's incredible work for all to appreciate for the first time through this publication by Heritage Images
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