Photo Mug : The Death Of The Property Tax! Or 37 Mortal Wounds For Ministers & The Inquisitoral Commissioners

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The Death Of The Property Tax! Or 37 Mortal Wounds For Ministers & The Inquisitoral Commissioners

The Death Of The Property Tax! Or 37 Mortal Wounds For Ministers & The Inquisitoral Commissioners!, Cruikshank, George, 1792-1878, Engraving 1816, Henry Brougham, John Bull, And The British Lion (leo Britannicus) Attacking A Hydra Representing The Property Tax. At Tail Of The Monster Mr. Tierney Tells Britannia To Rise. In The Background, Liverpool, The Regent, Castlereagh, And Vansittart Hasten Up A Slope With A Sign-post Pointing To Economy

Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide

Media ID 9731843

© Universal History Archive

1792 1878 1816 Artwork Attacking Background Britannia Brougham Bull Cruikshank Death Economy George Henry John Lion Liverpool Ministers Monster Nostalgia Nostalgic Pointing Property Regent Representing Rise Romantic Slope Tail Traditional Britannicus Castlereagh Commissioners Hasten Hydra Mortal Sign Post Tells Tierney Vansittart Wounds

Large Photo Mug (15 oz)

Add a bold statement to your morning routine with the Media Storehouse Photo Mug featuring the iconic image "The Death Of The Property Tax! Or 37 Mortal Wounds For Ministers & The Inquisitoral Commissioners" by George Cruikshank and Henry Brougham. This historical engraving from 1816 is a powerful reminder of the power of the people and the enduring impact of political satire. Each mug is expertly printed with high-quality, fade-resistant ink, ensuring your image remains vibrant and clear. Start your day with a smile and a dose of history, as you savor your favorite beverage from this unique and thought-provoking mug. Perfect for history buffs, political enthusiasts, or anyone who appreciates a good laugh, this mug is sure to become a cherished addition to your collection. Cheers to the past and the present!

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

These are individually made so all sizes are approximate

EDITORS COMMENTS
In this vintage engraving from 1816, titled "The Death Of The Property Tax! Or 37 Mortal Wounds For Ministers & The Inquisitoral Commissioners" artist George Cruikshank captures a pivotal moment in British history. Depicted here is the iconic figure of John Bull, accompanied by the powerful British Lion (Leo Britannicus), launching an attack on a fearsome Hydra representing the oppressive Property Tax. As Bull and Leo relentlessly strike at the monster's multiple heads, we witness Henry Brougham urging Britannia to rise against this unjust burden. In the background, notable figures such as Liverpool, the Regent, Castlereagh, and Vansittart are seen hastening up a slope with a signpost pointing towards economic reform. Cruikshank's illustrative technique beautifully portrays both historical significance and artistic prowess. This nostalgic artwork takes us back to an era when traditional values were held dear and historic art played a crucial role in shaping public opinion. With its aged retro-styled charm, this engraved image evokes feelings of nostalgia for times gone by. It serves as a reminder of our rich cultural heritage while also highlighting societal struggles that have persisted throughout history. This print offers viewers an opportunity to delve into Britain's past and reflect upon themes such as taxation policies and political resistance. It stands as testament to how art can be used not only for aesthetic pleasure but also as a medium for social commentary.

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