Framed Print : The Death Of The Property Tax! Or 37 Mortal Wounds For Ministers & The Inquisitoral Commissioners

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Framed Photos from Universal Images Group (UIG)

The Death Of The Property Tax! Or 37 Mortal Wounds For Ministers & The Inquisitoral Commissioners

The Death Of The Property Tax! Or 37 Mortal Wounds For Ministers & The Inquisitoral Commissioners!, Cruikshank, George, 1792-1878, Engraving 1816, Henry Brougham, John Bull, And The British Lion (leo Britannicus) Attacking A Hydra Representing The Property Tax. At Tail Of The Monster Mr. Tierney Tells Britannia To Rise. In The Background, Liverpool, The Regent, Castlereagh, And Vansittart Hasten Up A Slope With A Sign-post Pointing To Economy

Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide

Media ID 9731843

© Universal History Archive

1792 1878 1816 Artwork Attacking Background Britannia Brougham Bull Cruikshank Death Economy George Henry John Lion Liverpool Ministers Monster Nostalgia Nostalgic Pointing Property Regent Representing Rise Romantic Slope Tail Traditional Britannicus Castlereagh Commissioners Hasten Hydra Mortal Sign Post Tells Tierney Vansittart Wounds

12"x10" Modern Frame

Add a bold and historic statement to your wall with Media Storehouse's Framed Print of "The Death Of The Property Tax! Or 37 Mortal Wounds For Ministers & The Inquisitorial Commissioners" by George Cruikshank. This engraving, published in 1816, is a powerful visual representation of the public's reaction to the Property Tax during that time. Featuring the iconic character John Bull, this piece is a must-have for history enthusiasts and those who appreciate the art of satire. The high-quality print is framed in a beautiful, contemporary design, making it a stunning addition to any home or office decor. Bring a piece of historical significance and wit to your space with Media Storehouse's Framed Print.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 30.5cm x 25.4cm (12" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.

EDITORS COMMENTS
In this vintage engraving from 1816, titled "The Death Of The Property Tax! Or 37 Mortal Wounds For Ministers & The Inquisitoral Commissioners" artist George Cruikshank captures a pivotal moment in British history. Depicted here is the iconic figure of John Bull, accompanied by the powerful British Lion (Leo Britannicus), launching an attack on a fearsome Hydra representing the oppressive Property Tax. As Bull and Leo relentlessly strike at the monster's multiple heads, we witness Henry Brougham urging Britannia to rise against this unjust burden. In the background, notable figures such as Liverpool, the Regent, Castlereagh, and Vansittart are seen hastening up a slope with a signpost pointing towards economic reform. Cruikshank's illustrative technique beautifully portrays both historical significance and artistic prowess. This nostalgic artwork takes us back to an era when traditional values were held dear and historic art played a crucial role in shaping public opinion. With its aged retro-styled charm, this engraved image evokes feelings of nostalgia for times gone by. It serves as a reminder of our rich cultural heritage while also highlighting societal struggles that have persisted throughout history. This print offers viewers an opportunity to delve into Britain's past and reflect upon themes such as taxation policies and political resistance. It stands as testament to how art can be used not only for aesthetic pleasure but also as a medium for social commentary.

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