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Photo Mug : New Lamps for Old, 1901. Creator: Joseph Edward Southall
Home Decor from Heritage Images
New Lamps for Old, 1901. Creator: Joseph Edward Southall
New Lamps for Old (in frame), 1901. The subject is taken from story of Aladdin in the One Thousand and One Nights (The Arabian Nights). The figures from left to right are: the artist, Arthur Gaskin, (The Magician), Charles March Gere, Mrs F. Wood, (Aladdins wife), William Littleboy, Alderman White, Joseph Sturge, Anna Elizabeth Baker, John E. Baker (Scheherazade), and Alderman Baker. Apart from the first three who were artists, the other named persons were prominent Quakers in Birmingham. All were close friends or relatives of Southall
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Media ID 20634212
© Heritage Art/Heritage Images
Aladdin Arabian Nights Artistic Style Artists Birmingham Museum And Art Gallery Birmingham Museum Art Gallery Birmingham Museums And Art Gallery Birmingham Museums Trust Character Exotic Feather Feathers Fictional Character Joseph Edward Joseph Edward Southall Joseph Southall Lamp Oil Lamp Oil Lamps Peacock Peacock Feather Peacock Feathers Peacocks Pre Raphaelite Pre Raphaelite Brotherhood Quakers Scheherazade Southall Southall Joseph Edward The Book Of One Thousand And One Nights The Book Of The Thousand And One Nights The Thousand And One Nights Turban Turbans Head Dress
Large Photo Mug (15 oz)
Brighten up your day with our Media Storehouse Photo Mug featuring the timeless artwork "New Lamps for Old" by Joseph Edward Southall. This exquisite piece, inspired by the classic story of Aladdin from The Arabian Nights, showcases intricate detail and vibrant colors. Each mug is expertly printed with high-quality images from Heritage Images, ensuring a stunning representation of this beloved work of art. Perfect for sipping your favorite beverage and adding a touch of history to your daily routine. Embrace the magic of storytelling with every sip.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
These are individually made so all sizes are approximate
FEATURES IN THESE COLLECTIONS
> Arts
> Artists
> A
> Joseph Arthur
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> Edward Bird
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> John Bird
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> B
> Joseph Baker
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> C
> William Charles
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> Guy Head
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> O
> Elizabeth Olds
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> W
> Charles White
> Arts
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> W
> John White
EDITORS COMMENTS
New Lamps for Old, 1901: A Captivating Glimpse into the Arabian Nights". In this enchanting print titled "New Lamps for Old". Joseph Edward Southall transports us to a world of magic and wonder inspired by the timeless tale of Aladdin from One Thousand and One Nights. The composition showcases a group of distinguished individuals, each playing a role in this scene. From left to right, we see the artist himself alongside Arthur Gaskin as the mysterious Magician. Charles March Gere stands tall while Mrs F. Wood embodies Aladdin's devoted wife. William Littleboy, Alderman White, Joseph Sturge, Anna Elizabeth Baker, John E. Baker (portraying Scheherazade), and Alderman Baker complete this remarkable cast. Notably, all but three were prominent Quakers in Birmingham and close friends or relatives of Southall. The painting exudes an exotic atmosphere with its vibrant colors and intricate details. Peacock feathers adorn headgear while an oil lamp takes center stage as a symbol of wishes granted through supernatural powers. Southall's artistic style reflects elements of Pre-Raphaelite Brotherhood with meticulous attention to detail and rich symbolism. This masterpiece now resides at the Birmingham Museum Art Gallery under the care of Birmingham Museums Trust. "New Lamps for Old" invites viewers on a journey through time and imagination—a testament to both Southall's skill as an artist and his deep appreciation for literature that continues to captivate audiences even today.
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