Joseph Edward Southall Collection

The Old Fisherman, 1903. Artist: Joseph Edward Southall
The Old Fisherman, 1903. From The Studio Volume 79, [London Offices of the Studio, London, 1920]

New Lamps for Old, 1901. Creator: Joseph Edward Southall
New Lamps for Old (in frame), 1901. The subject is taken from story of Aladdin in the One Thousand and One Nights (The Arabian Nights)

Sleeping Beauties, 1942 (tempera)
657088 Sleeping Beauties, 1942 (tempera) by Southall, Joseph Edward (1861-1944); 31x44.5 cm; Private Collection; (add.info.: Sleeping Beauties. Joseph Edward Southall (1861-1944). Tempera

The Nut Brown Maid, 1902-1904 (tempera on canvas)
657024 The Nut Brown Maid, 1902-1904 (tempera on canvas) by Southall, Joseph Edward (1861-1944); 99x64.8 cm; Private Collection; (add.info.: The Nut Brown Maid. Joseph Edward Southall (1861-1944)

Pont Henri IV, 1937 (tempera)
657004 Pont Henri IV, 1937 (tempera) by Southall, Joseph Edward (1861-1944); 23.5x21 cm; Private Collection; (add.info.: Pont Henri IV. Joseph Edward Southall (1861-1944). Tempera. Dated 1937

Beauty Seeing the Image of her Home in the Fountain, 1897-8 (tempera on panel)
657112 Beauty Seeing the Image of her Home in the Fountain, 1897-8 (tempera on panel) by Southall, Joseph Edward (1861-1944); 46x46 cm; Private Collection; (add.info)

The Nut Brown Maid, 1902 (oil on canvas)
989570 The Nut Brown Maid, 1902 (oil on canvas) by Southall, Joseph Edward (1861-1944); 99x65.5 cm; Private Collection; (add.info.: The Nut Brown Maid. Joseph Edward Southall (1861-1944)

The Trippers, 1933 (pencil and watercolour)
657996 The Trippers, 1933 (pencil and watercolour) by Southall, Joseph Edward (1861-1944); 15x25.4 cm; Private Collection; (add.info.: The Trippers. Joseph Edward Southall (1861-1944)

Flora, 1921 (tempera on canvas)
659902 Flora, 1921 (tempera on canvas) by Southall, Joseph Edward (1861-1944); 51.1x39.3 cm; Private Collection; (add.info.: Flora. Joseph Edward Southall (1861-1944). Tempera on canvas. Dated 1921

The Mystic Burial, 1895 (watercolour and bodycolour)
657598 The Mystic Burial, 1895 (watercolour and bodycolour) by Southall, Joseph Edward (1861-1944); Private Collection; (add.info.: The Mystic Burial. Joseph Edward Southall (1861-1944)

Portrait Of The Artists Mother, 1902. Creator: Joseph Edward Southall
Portrait Of The Artists Mother, 1902

Fisherman Carrying a Sail, 1907. Creator: Joseph Edward Southall
Fisherman Carrying a Sail, 1907

Beauty Receiving the White Rose from her Father, 1899. Creator: Joseph Edward Southall
Beauty Receiving the White Rose from her Father, 1899. Much of Southalls work was inspired by the story of Beauty and the Beast

The Sleeping Beauty, 1903. Creator: Joseph Edward Southall
The Sleeping Beauty, 1903

Changing the Letter, 1908. Creator: Joseph Edward Southall
Changing the Letter, 1908. The subject is taken from the poem The Man Born to be King from William Morriss The Earthly Paradise. The sealed letter is addressed To The Governor

Ariadne in Naxos, 1925. Creator: Joseph Edward Southall
Ariadne in Naxos, 1925

Sigismonda Drinking The Poison, c1897. Creator: Joseph Edward Southall
Sigismonda Drinking The Poison, c1897

Porta Cavour, Treviso, 1934, (1936). Creator: Joseph Edward Southall
Porta Cavour, Treviso. By Joseph Southall, 1934, (1936). Porta Santi Quaranta is one of three doors in 16th century walls of Treviso, located in Borgo Cavour

The Beach, 1910. Artist: Joseph Edward Southall
The Beach, 1910. From The Studio Volume 71. [London Offices of the Studio, London, 1917]

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Joseph Edward Southall was a talented artist known for his diverse range of works across various mediums. In his painting "The Old Fisherman" from 1903, Southall captures the serene beauty of a seasoned fisherman in intricate detail. The use of light and shadow adds depth to the scene, transporting viewers to a tranquil riverside setting. In "New Lamps for Old" created in 1901, Southall showcases his artistic versatility by depicting an enchanting scene with vibrant colors and intricate patterns. The artwork exudes a sense of mystery and intrigue, inviting viewers to delve into its captivating narrative. One of Southall's most personal pieces is "Joseph Edward Southall and Anna Elizabeth Southall, " painted in 1911. This intimate portrait depicts the artist alongside his wife, capturing their love and connection through delicate brushstrokes. It serves as a testament to their enduring bond. Southall's talent extended beyond paintings; he also excelled in tempera technique as seen in "Sleeping Beauties" from 1942. This ethereal piece portrays two peacefully slumbering figures surrounded by dreamlike hues, evoking a sense of tranquility that resonates with viewers. "The Nut Brown Maid, " created between 1902-1904 on canvas using tempera, showcases Southall's meticulous attention to detail. The painting tells a story through its rich symbolism and exquisite craftsmanship, leaving room for interpretation while captivating audiences with its beauty. In "Pont Henri IV" from 1937, rendered using tempera technique once again, Southall presents an architectural marvel against the backdrop of Parisian charm. His precise strokes bring life to this iconic bridge while capturing the essence of the city's timeless allure. Another notable work is "Beauty Seeing the Image of her Home in the Fountain, " completed between 1897-8 on panel using tempera. This enchanting piece explores themes of self-reflection and identity, inviting viewers to ponder the significance of finding oneself in familiar surroundings.