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Photo Mug : The Country Vicars Fire Side, 1781. Artist: E Williams

The Country Vicars Fire Side, 1781. Artist: E Williams




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The Country Vicars Fire Side, 1781. Artist: E Williams

The Country Vicars Fire Side, 1781. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

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Media ID 14917462

© The Print Collector / Heritage-Images

Bellows Bonnet Chat Clay Pipe Clergyman Cleric Conversation Conversing Cosy Emily Morse Emily Morse Symonds Fireside George Paston Hearth Heat Henry Henry Wigstead Mantelpiece Paston Pipe Symonds Vicar Warm Wigstead Williams Fireside Chat


Large Photo Mug (15 oz)

Add a touch of history to your daily routine with our Media Storehouse Photo Mugs featuring the enchanting image, "The Country Vicars Fire Side, 1781," by E Williams. This exquisite artwork, originally published in "Social Caricature in the Eighteenth Century," comes to life on our high-quality mugs, perfect for sipping your favorite hot beverage and reminiscing about the past. Bring a piece of history into your home or office with this unique and captivating mug. " Or, if you prefer a more concise version: "Bring history to life with our Media Storehouse Photo Mug featuring the classic artwork, "The Country Vicars Fire Side, 1781," by E Williams. This beautiful image, originally published in "Social Caricature in the Eighteenth Century," is now available on a high-quality mug for your daily use. Add a touch of history to your routine and enjoy your favorite beverage in style.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

These are individually made so all sizes are approximate


FEATURES IN THESE COLLECTIONS

> Animals > Related Images

> Arts > Artists > B > George Bellows

> Arts > Artists > C > Henry Clay

> Arts > Artists > W > George White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Fashion

> Europe > United Kingdom > England > London > Related Images


The Country Vicar's Fireside, 1781

EDITORS COMMENTS
is a captivating print that offers a glimpse into the cozy and conversational atmosphere of rural life in eighteenth-century Britain. Created by artist E Williams, this illustration showcases the warmth and camaraderie found around the hearth. In this scene, we see a group of people gathered around the fireside, engaging in lively conversation. The vicar, dressed in traditional clergyman attire, sits comfortably on his chair while puffing on his clay pipe. A lady with her bonnet adorning her head leans against the mantelpiece as she chats animatedly with another gentleman. The room exudes an inviting ambiance as the crackling fire provides much-needed heat during colder times. A dog rests peacefully nearby while a pair of bellows hints at their practical use for stoking the flames. This print not only captures rustic charm but also carries subtle satirical elements characteristic of social caricature from that era. It reflects both religious themes through its portrayal of clergymen and weaponry symbolism through guns present in some characters' hands. With over two hundred illustrations included in "Social Caricature in the Eighteenth Century". George Paston (pseudonym for Emily Morse Symonds) curated an insightful collection exploring various aspects of British society during this period. This particular image stands out due to its detailed depiction of fashion trends, gender dynamics, and everyday interactions within rural communities. As part of Henry Wigstead's publication from London in

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