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Framed Print : The Country Vicars Fire Side, 1781. Artist: E Williams

The Country Vicars Fire Side, 1781. Artist: E Williams




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The Country Vicars Fire Side, 1781. Artist: E Williams

The Country Vicars Fire Side, 1781. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

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Media ID 14917462

© The Print Collector / Heritage-Images

Bellows Bonnet Chat Clay Pipe Clergyman Cleric Conversation Conversing Cosy Emily Morse Emily Morse Symonds Fireside George Paston Hearth Heat Henry Henry Wigstead Mantelpiece Paston Pipe Symonds Vicar Warm Wigstead Williams Fireside Chat


12"x10" Modern Frame

Bring a touch of historical charm to your home with our exquisite framed print of "The Country Vicars Fire Side, 1781" by E Williams, featuring the illustration from Social Caricature in the Eighteenth Century. This timeless piece, created by George Paston under the pseudonym Emily Morse Symonds, showcases the rustic charm of country vicars gathered around a cozy fireplace in the early 18th century. Each print is carefully framed to preserve the intricate details and vibrant colors of the original artwork, making it a stunning addition to any room in your home or office. Elevate your decor with a piece of history and order your framed print of "The Country Vicars Fire Side, 1781" today.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 30.5cm x 25.4cm (12" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Related Images

> Arts > Artists > B > George Bellows

> Arts > Artists > C > Henry Clay

> Arts > Artists > W > George White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Fashion

> Europe > United Kingdom > England > London > Related Images


The Country Vicar's Fireside, 1781

EDITORS COMMENTS
is a captivating print that offers a glimpse into the cozy and conversational atmosphere of rural life in eighteenth-century Britain. Created by artist E Williams, this illustration showcases the warmth and camaraderie found around the hearth. In this scene, we see a group of people gathered around the fireside, engaging in lively conversation. The vicar, dressed in traditional clergyman attire, sits comfortably on his chair while puffing on his clay pipe. A lady with her bonnet adorning her head leans against the mantelpiece as she chats animatedly with another gentleman. The room exudes an inviting ambiance as the crackling fire provides much-needed heat during colder times. A dog rests peacefully nearby while a pair of bellows hints at their practical use for stoking the flames. This print not only captures rustic charm but also carries subtle satirical elements characteristic of social caricature from that era. It reflects both religious themes through its portrayal of clergymen and weaponry symbolism through guns present in some characters' hands. With over two hundred illustrations included in "Social Caricature in the Eighteenth Century". George Paston (pseudonym for Emily Morse Symonds) curated an insightful collection exploring various aspects of British society during this period. This particular image stands out due to its detailed depiction of fashion trends, gender dynamics, and everyday interactions within rural communities. As part of Henry Wigstead's publication from London in

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