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The Three Emperors illustration
The Three Emperors". Otto von Bismarck as puppet - master pulling the strings of the emperors of Russia, Germany and Austria. Varzin or Varzim was Bismarcks country estate. Cartoon by John Tenniel from " Punch", London, 20 September 1884
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Media ID 9699745
© Universal History Archive
1884 Austrian Culture Authority Cartoon Chancellor Confidence Control Creativity Elegance German Culture Historical Clothing Illustration Technique One Mature Man Only Otto Von Bismarck Politics Punch Russian Culture Satire Suit Text Western Script John Tenniel Marionette
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 18.1cm x 23.7cm (7.1" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of political power play in the late 19th century. Titled "The Three Emperors" it showcases Otto von Bismarck, the renowned German statesman and Chancellor, as a master puppeteer manipulating the emperors of Russia, Germany, and Austria. Created by John Tenniel for Punch magazine in London on September 20,1884, this cartoon offers a satirical commentary on Bismarck's influence over these influential figures. In this full-length illustration, Bismarck stands tall with an air of confidence and elegance. Dressed in historical clothing befitting his authority and status as Chancellor, he pulls the strings controlling Emperor Alexander III of Russia, Emperor Wilhelm I of Germany, and Emperor Franz Joseph I of Austria. The scene is set at Varzin or Varzim - Bismarck's country estate - adding depth to its historical significance. Tenniel's creativity shines through his skillful use of illustration technique and Western script text incorporated into the artwork. Through this visual satire, he highlights not only Bismarck's control over European politics but also sheds light on the intricate dynamics between these powerful nations during that era. This thought-provoking image serves as a reminder of how history can be shaped by individuals who possess both cunning manipulation skills and political acumen. It invites us to contemplate the complex interplay between personal ambition and international relations while appreciating Tenniel's artistic brilliance in capturing such
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