Mouse Mat : Kneeling woman sacrificial table actor Iwai HanshirAś VI

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Kneeling woman sacrificial table actor Iwai HanshirAś VI

Kneeling woman with sacrificial table, The actor Iwai Hanshiro VI (1799-1836) in a womans role, with a sacrificial table in the left hand. Against a background of colored clouds and spots, imitating old paintings. With one poem. Right sheet of a triptych. Utagawa Kuniyoshi (mentioned on object), Japan, c. 1830, paper, colour woodcut, h 207 mm × w 189 mm

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19544442

© Artokoloro

1830 Background Colour Woodcut Kneeling Woman Left Hand Poem Right Sheet Spots Triptych Utagawa Kuniyoshi Mentioned

Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Arts > Artists > K > Utagawa Kuniyoshi

> Arts > Artists > U > Kuniyoshi Utagawa

EDITORS COMMENTS
This print showcases a mesmerizing scene from Japanese theater, featuring the renowned actor Iwai Hanshiro VI in a woman's role. The image captures him kneeling gracefully with a sacrificial table held delicately in his left hand. Against a backdrop of vibrant colored clouds and spots, reminiscent of ancient paintings, this artwork exudes an aura of mystique and elegance. The artist behind this masterpiece is Utagawa Kuniyoshi, whose name is mentioned on the object itself. Created around 1830 using paper and color woodcut techniques, this right sheet of a triptych exemplifies Kuniyoshi's exceptional talent for capturing intricate details and evoking emotions through his art. Adding to the allure of this composition is a single poem that accompanies it, further enhancing its poetic nature. This print not only serves as an exquisite visual representation but also offers insight into the rich cultural heritage of Japan during the early 19th century. Displayed as part of the Liszt Collection, this artwork invites viewers to immerse themselves in the world of traditional Japanese theater while appreciating the skillful craftsmanship involved in creating such masterpieces. It serves as a testament to both Iwai Hanshiro VI's theatrical prowess and Utagawa Kuniyoshi's artistic brilliance.

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