Metal Print : Kneeling woman sacrificial table actor Iwai HanshirAś VI

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Metal Prints from Liszt Collection

Kneeling woman sacrificial table actor Iwai HanshirAś VI

Kneeling woman with sacrificial table, The actor Iwai Hanshiro VI (1799-1836) in a womans role, with a sacrificial table in the left hand. Against a background of colored clouds and spots, imitating old paintings. With one poem. Right sheet of a triptych. Utagawa Kuniyoshi (mentioned on object), Japan, c. 1830, paper, colour woodcut, h 207 mm × w 189 mm

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19544442

© Artokoloro

1830 Background Colour Woodcut Kneeling Woman Left Hand Poem Right Sheet Spots Triptych Utagawa Kuniyoshi Mentioned

16"x20" (51x41cm) Metal Print

Experience the captivating allure of Japanese theater with our Media Storehouse Metal Prints featuring the iconic image of Iwai Hanshiro VI. This exquisite print showcases the renowned actor in a striking portrayal of a woman, holding a sacrificial table in one hand. The rich, vibrant colors and intricate details of this image are beautifully brought to life on our high-quality metal prints, creating a stunning and unique piece of art that is sure to be the centerpiece of any room. Embrace the beauty and history of Japanese culture with our Metal Prints, a perfect addition to your home or office decor.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Arts > Artists > K > Utagawa Kuniyoshi

> Arts > Artists > U > Kuniyoshi Utagawa

EDITORS COMMENTS
This print showcases a mesmerizing scene from Japanese theater, featuring the renowned actor Iwai Hanshiro VI in a woman's role. The image captures him kneeling gracefully with a sacrificial table held delicately in his left hand. Against a backdrop of vibrant colored clouds and spots, reminiscent of ancient paintings, this artwork exudes an aura of mystique and elegance. The artist behind this masterpiece is Utagawa Kuniyoshi, whose name is mentioned on the object itself. Created around 1830 using paper and color woodcut techniques, this right sheet of a triptych exemplifies Kuniyoshi's exceptional talent for capturing intricate details and evoking emotions through his art. Adding to the allure of this composition is a single poem that accompanies it, further enhancing its poetic nature. This print not only serves as an exquisite visual representation but also offers insight into the rich cultural heritage of Japan during the early 19th century. Displayed as part of the Liszt Collection, this artwork invites viewers to immerse themselves in the world of traditional Japanese theater while appreciating the skillful craftsmanship involved in creating such masterpieces. It serves as a testament to both Iwai Hanshiro VI's theatrical prowess and Utagawa Kuniyoshi's artistic brilliance.

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