Kneeling Woman Collection

raising Lazarus Fragment representation right
The raising of Lazarus, Fragment of a representation of the raising of Lazarus. On the right the opened grave in which Lazarus is partially visible

Merry Company Interior two women three men fireplace
Merry Company, Interior with two women and three men around a fireplace. On the left a standing woman with a bottle, on the right a sitting man with a pipe in hand

Kneeling woman comb box 43 drawings Louis Fabritius Dubourg
Kneeling woman with comb (in box with 43 drawings), Louis Fabritius Dubourg, 1703 - 1775, paper, ink, pencil, pen, h 83 mm × w 104 mm

Discovery lover discovered sham virtue Interior
Discovery of a lover The discovered sham virtue, Interior with a kneeling woman, the character Geertruy, who begs her husband, Filibert

Kneeling woman sacrificial table actor Iwai HanshirAś VI
Kneeling woman with sacrificial table, The actor Iwai Hanshiro VI (1799-1836) in a womans role, with a sacrificial table in the left hand

Three women visit Jizo shrine Eight views Kinryuzan
Three women visit a Jizo shrine Eight views of the Kinryuzan in Asakusa (series title) Asakusa Kinryuzan hakkyo (series title on object), Two women looking at a kneeling woman, in prayer

Kneeling woman worship man Title page Adelaart
Kneeling woman in worship for a man Title page for: Adelaart, or the victorious virtue, drama, 1770 and 1774, A woman is worshiping on her knees in front of a man

Landscape kneeling woman putti standing point
Landscape with kneeling woman and putti, A kneeling woman is standing on the point to be lauded by a putto with palm branch floating above her in the air

Ornament Bacchus kneeling woman middle two-headed monster
Ornament with Bacchus and a kneeling woman, In the middle a two-headed monster, singing from a music book, placed on a kneeling woman. She looks up at Bacchus, who raises a glass

Studies Figure Holding Candlestand Woman Left Arm Extended
Artokoloro

Kneeling Woman 17th century Red chalk light brown paper
Artokoloro

Kneeling Woman lower register verso studies wall paintings
Artokoloro

Seated Figure Three Men Group Kneeling Woman
Artokoloro

Purity and vanity, Pieter Nolpe, 1640

Prince Genji sitting on a rug in a room, Japanese print, Kunisada (I), Utagawa, Kinugasa Fusajiro, Watanabe Shoemon, 1849 - 1850

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"Captivating the Essence of Devotion: The Enigmatic Kneeling Woman" In this intriguing portrayal, a kneeling woman takes center stage, embodying various themes and narratives throughout art history. From the raising of Lazarus to scenes from Merry Company interiors, her presence resonates with profound symbolism. One such representation is found in the fragment by Louis Fabritius Dubourg, where she stands witness to the miraculous resurrection. Her humble posture reflects awe and reverence as Lazarus emerges from his tomb, capturing a moment of divine intervention. Moving through time and space, we encounter her again within an interior adorned with two women and three men gathered around a fireplace. Here, she holds a comb box amidst 43 drawings—a testament to her role as both muse and creator in this merry company setting. Further exploration reveals her discovery of sham virtue within an intimate interior scene. Unveiling the true nature of love's facade, she exposes deceit while remaining steadfast in her commitment to authenticity. The sacrificial table becomes her stage when depicted alongside actor Iwai HanshirA┼¢ VI. With grace and poise, she kneels before him—an embodiment of devotion that transcends mere mortal boundaries. Venturing beyond earthly realms, three women pay homage at Jizo shrine amidst Kinryuzan's Eight Views. In their pilgrimage towards enlightenment, our enigmatic figure finds solace among these sacred grounds. Her worship extends further still on the title page created by Adelaart—her genuflection symbolizing unwavering faith in man's artistic endeavors. As viewers immerse themselves in this visual narrative journey, they too become participants in this act of veneration. Nature intertwines with spirituality as we encounter landscapes featuring our kneeling woman accompanied by putti standing at attention. Amidst lush scenery or barren plains alike; she remains rooted yet ethereal—a harmonious blend between earthbound existence and celestial aspirations.