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Mouse Mat : The potteries, 1926. Artist: Edgar & Winifred Ward
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The potteries, 1926. Artist: Edgar & Winifred Ward
The potteries, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 5: Christianity Today and Tomorrow, edited by RG Parsons and AS Peake, published by the Waverley Book Club (London, 1926)
Heritage Images features heritage image collections
Media ID 14934470
© The Print Collector / Heritage-Images
As Peake Carriage Chimney Chimney Stack Grim Parsons Peake Rg Parsons Staffordshire Tramline Tramlines Ward Horse Drawn Vehicle Potteries The Potteries
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 19.6cm (9.3" x 7.7")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Potteries, 1926
EDITORS COMMENTS
is a captivating print that takes us back to the bustling streets of Britain in the early 20th century. This remarkable artwork, created by Edgar & Winifred Ward, showcases the essence of an era characterized by industrial growth and urban development. The image captures a scene filled with architectural marvels such as factories, houses, and chimneys that pierce through the sky. The grim atmosphere hints at the challenging working conditions faced by laborers during this time. Tramlines crisscrossing the roads serve as a reminder of how transportation played a vital role in connecting communities. As we delve deeper into this monochrome masterpiece, we are transported to Staffordshire's famous potteries region. Here, centuries-old traditions meet modern progress as horse-drawn carriages share space with smoke-belching factories. The print evokes a sense of nostalgia for a time when craftsmanship thrived amidst rapid societal changes. This artwork is part of "An Outline of Christianity" edited by RG Parsons and AS Peake—a testament to its historical significance within the context of Christian civilization during that period. Its inclusion in this publication speaks volumes about its cultural value and artistic merit. "The Potteries, 1926" invites viewers to reflect on our shared history while appreciating the resilience and ingenuity displayed by those who shaped our world today. It serves as both an ode to Britain's industrial past and an enduring symbol of human progress against all odds.
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