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Metal Print : The potteries, 1926. Artist: Edgar & Winifred Ward
Metal Prints From Heritage Images
The potteries, 1926. Artist: Edgar & Winifred Ward
The potteries, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 5: Christianity Today and Tomorrow, edited by RG Parsons and AS Peake, published by the Waverley Book Club (London, 1926)
Heritage Images features heritage image collections
Media ID 14934470
© The Print Collector / Heritage-Images
As Peake Carriage Chimney Chimney Stack Grim Parsons Peake Rg Parsons Staffordshire Tramline Tramlines Ward Horse Drawn Vehicle Potteries The Potteries
16"x20" (51x41cm) Metal Print
Bring the historic charm of The Potteries, 1926, into your home with our stunning Metal Prints from Media Storehouse. This exquisite image, captured by Edgar & Winifred Ward and originally published in An Outline of Christianity, showcases the bustling industrial landscape of The Potteries in a unique and captivating way. The rich, vibrant colors and high-quality metallic finish of our Metal Prints add depth and dimension to this iconic photograph, making it a beautiful and conversation-starting addition to any room. Experience the allure of history with our Metal Prints - order yours today!
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Potteries, 1926
EDITORS COMMENTS
is a captivating print that takes us back to the bustling streets of Britain in the early 20th century. This remarkable artwork, created by Edgar & Winifred Ward, showcases the essence of an era characterized by industrial growth and urban development. The image captures a scene filled with architectural marvels such as factories, houses, and chimneys that pierce through the sky. The grim atmosphere hints at the challenging working conditions faced by laborers during this time. Tramlines crisscrossing the roads serve as a reminder of how transportation played a vital role in connecting communities. As we delve deeper into this monochrome masterpiece, we are transported to Staffordshire's famous potteries region. Here, centuries-old traditions meet modern progress as horse-drawn carriages share space with smoke-belching factories. The print evokes a sense of nostalgia for a time when craftsmanship thrived amidst rapid societal changes. This artwork is part of "An Outline of Christianity" edited by RG Parsons and AS Peake—a testament to its historical significance within the context of Christian civilization during that period. Its inclusion in this publication speaks volumes about its cultural value and artistic merit. "The Potteries, 1926" invites viewers to reflect on our shared history while appreciating the resilience and ingenuity displayed by those who shaped our world today. It serves as both an ode to Britain's industrial past and an enduring symbol of human progress against all odds.
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