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Mouse Mat : Crucifixion, c. 1518 (oil on limewood panel)

Crucifixion, c. 1518 (oil on limewood panel)




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Crucifixion, c. 1518 (oil on limewood panel)

BAL53650 Crucifixion, c.1518 (oil on limewood panel) by Altdorfer, Albrecht (c.1480-1538); 75x57.5 cm; Museum of Fine Arts (Szepmuveszeti) Budapest, Hungary; (add.info.: Shows the earth splitting to reveal the skeleton of Adam; ); German, out of copyright

Media ID 12917871

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Crucified Dice Fainting Gamblers Gambling Gilded Holy Grail John The Evangelist Lances Mary Magdalene Pikes Spears Swooning Northern Renaissance


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 18.6cm x 23.7cm (7.3" x 9.3")

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print showcases Albrecht Altdorfer's masterpiece, "Crucifixion" painted around 1518. The oil on limewood panel measures 75x57.5 cm and is currently housed in the Museum of Fine Arts (Szepmuveszeti) in Budapest, Hungary. The painting depicts the profound moment of Jesus Christ's crucifixion with a unique twist. As the earth splits open, it reveals the skeletal remains of Adam, symbolizing humanity's fall from grace and redemption through Christ's sacrifice. This powerful imagery adds depth to an already poignant scene. Altdorfer's Northern Renaissance style shines through in this artwork, characterized by intricate details and rich colors. The figures surrounding Jesus include angels adorned with gold accents and a crowd of onlookers that includes Virgin Mary, St. John the Evangelist, Saint Mary Magdalene swooning in anguish. Intriguingly, amidst this solemn event unfolds another narrative: gamblers engrossed in their dice game near the foot of the cross. This juxtaposition serves as a reminder that even during moments of great significance, human vices persist. The composition is further enriched by pikes, lances, and spears held by soldiers who stand guard at Golgotha Hill where Jesus was crucified. These elements contribute to creating a visually stunning tableau that captures both religious devotion and earthly distractions. With its meticulous craftsmanship and thought-provoking symbolism, Altdorfer's "Cr

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