The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival
BIR68247 The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series The Quest for the Holy Grail, 1895-96 (wool, silk, mohair and camel hair weft on cotton warp) by Burne-Jones, Edward Coley (1833-98); 695x244 cm; Birmingham Museums and Art Gallery; (add.info.: This sequence of tapestries was originally designed for William Knox D'Arcy, for the dining room of his house, Stanmore Hall in Middlesex (see black and white image). Several further versions were woven later. Birmingham's The Attainment is one of three tapestries commissioned in 1895 by the industrialist Laurence Hodson, for his house Compton Hall near Wolverhampton.
The subject matter is based on the 15th century text Le Morte D'Arthur (The Death of Arthur) by Sir Thomas Malory. It tells the story of the spiritual quest by the knights of King Arthur's round table for the Holy Grail, the cup from which Jesus and the disciples drank at the Last Supper.
The final scene shows the three successful knights. The relative purity of each knight's life is represented by their distance from the Holy Grail, which sits on the altar inside the chapel. Sir Galahad kneels in the doorway surrounded by white lilies, symbolising his purity. On the left are Sir Bors and Sir Perceval.
Three standing angels hold symbols of Christ's passion, including the bleeding lance of Longinus, the Roman soldier who pierced his side on the cross. Above the Holy Grail is a Pentecostal wind, symbolising the presence of the Holy Spirit.
flowers by John Henry Dearle (1860-1932)
Manufacturer: Morris & Co - View history); English, out of copyright
© Bridgeman Images
Illustration in black and white of the Last Supper
Jesus and the disciples at the Last Supper.
illustration was published in "bible or books of new testament and old testament"(1875)
scan by Ivan Burmistrov
How at the Castle of Corbin a Maiden Bare in the Sangreal
STC371696 How at the Castle of Corbin a Maiden Bare in the Sangreal and Foretold the Achievements of Galahad, from Alfred Pollard's The Romance of King Arthur and His Knights of the Round Table, a version of Le Morte d'Arthur by Sir Thomas Malory, 1917 (colour litho) by Rackham, Arthur (1867-1939); Private Collection; The Stapleton Collection; English, out of copyright
© The Stapleton Collection / Bridgeman Images