Northern Renaissance Collection

The Northern Renaissance was a period of artistic and intellectual flourishing that took place in Europe during the 15th and 16th centuries

The Garden of Earthly Delights, 1490-1500 (oil on panel)
3107159 The Garden of Earthly Delights, 1490-1500 (oil on panel) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid, Spain; (add.info.: Detail of central panel); Netherlandish, out of copyright

The Man of Sorrows. Title-page to Small Passion. c1511, (1906). Artist: Albrecht Durer
The Man of Sorrows. Title-page to Small Passion. c1511, (1906). The drawing is held by the British Museum, London. From The Engravings of Albert Durer, by Lionel Cust. [Seeley and Co

The Wedding Dance, (oil on panel)
827654 The Wedding Dance, (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 34.6x48.3 cm; Private Collection; (add.info.: The Wedding Dance. Pieter Brueghel the Younger (c. 1564-1638)

Portrait of Jane Seymour by Holbein, 1536, (1936). Creator: Hans Holbein the Younger
Jane Seymour, 1936. Jane Seymour (c1508- 1537). Queen of England 1536-1537, third wife of King Henry VIII. She died two weeks after birth of a son who would become King Edward VI

The Knight, Death and the Devil, 1513 (etching)
BEN208710 The Knight, Death and the Devil, 1513 (etching) by DAOErer or Duerer, Albrecht (1471-1528); 19x24.5 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: The Christian knight)

Sir John Gage, c1532-1543 (1945). Artist: Hans Holbein the Younger
Sir John Gage, c1532-1543 (1945). Sir John Gage KG (1479-1556) was an English courtier during the Tudor period. He held a number of offices

Cardinal Fisher, Bishop of Rochester, 1532-1534 (1945). Artist: Hans Holbein the Younger
Cardinal Fisher, Bishop of Rochester, 1532-1534 (1945). John Fisher (c. 19 October 1469 - 22 June 1535), venerated by Roman Catholics as Saint John Fisher

Fascimile of July: Harvesting and Sheep Shearing, from the '
BAL65830 Fascimile of July: Harvesting and Sheep Shearing, from the Tres Riches Heures du Duc de Berry (for original see 8439) by Limbourg Brothers (fl.1400-1416); Victoria & Albert Museum, London

The Portrait of Giovanni (?) Arnolfini and his Wife Giovanna Cenami (
BAL1765 The Portrait of Giovanni (?) Arnolfini and his Wife Giovanna Cenami (?) (The Arnolfini Marriage) 1434 (oil on panel) by Eyck, Jan van (c.1390-1441); 83.7x57 cm; National Gallery, London

Facsimile of August: Hawking, from the Tres Riches Heures du Duc de Berry (vellum
BAL65829 Facsimile of August: Hawking, from the Tres Riches Heures du Duc de Berry (vellum) (for original see 8440) by Limbourg Brothers (fl.1400-1416); Victoria & Albert Museum, London

Melencolia I (copy), 1602. Creator: Jan Wierix
Melencolia I (copy), 1602. After Albrecht Durer

The Parable of the Sower and the Weeds, from Das Plenarium, 1517

Saint Maurice, ca. 1520-25. Creator: Lucas Cranach the Elder
Saint Maurice, ca. 1520-25

Mary, Lady Heveningham, c1532-1543 (1945). Artist: Hans Holbein the Younger
Mary, Lady Heveningham, c1532-1543 (1945). Mary Shelton (1510/15-1570/71), wife of Sir Anthony Heveningham, daughter of Sir John Shelton, and cousin of Queen Anne

Jane, Lady Lister, c1532-1543 (1945). Artist: Hans Holbein the Younger
Jane, Lady Lister, c1532-1543 (1945). Jane Lister was the daughter of Ralph Shirley, an official of the court of Henry VII. The drawing is part of the Royal Collection Trust, Windsor Castle

Mary, Lady Monteagle, c1538-1540 (1945). Artist: Hans Holbein the Younger
Mary, Lady Monteagle, c1538-1540 (1945). Lady Mary Brandon, Baroness Monteagle (1510-1540/1544), was an English noblewoman, and the daughter of Charles Brandon, 1st Duke of Suffolk

The Merchant Georg Gisze, 1532. Artist: Hans Holbein the Younger
The Merchant Georg Gisze, 1532. Painting housed in the Gemaldegalerie, Berlin. From A History of Painting, Volume IV by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]

Phaeton, from The Four Disgracers, 1588. 1588. Creator: Hendrik Goltzius
Phaeton, from The Four Disgracers, 1588

The Healing of Saint Roch, late 15th century. Artist: German Master
The Healing of Saint Roch, late 15th century. German painting of the Swabian School. Legend holds that a dog found St Roch suffering from the plague, and summoned help

Portrait of Martin Luther (1483-1546) 1543 (oil on panel)
XIR184021 Portrait of Martin Luther (1483-1546) 1543 (oil on panel) by Cranach, Lucas, the Elder (1472-1553); 21x16 cm; Galleria degli Uffizi, Florence, Italy; German, out of copyright

Saint Lawrence, c. 1480 / 1490. Creator: Israhel van Meckenem
Saint Lawrence, c. 1480/1490

The Bagpiper, 1514. Creator: Albrecht Durer
The Bagpiper, 1514

Edward, Lord Clinton, c1532-1543 (1945). Artist: Hans Holbein the Younger
Edward, Lord Clinton, c1532-1543 (1945). Edward Fiennes de Clinton, 1st Earl of Lincoln, KG (1512 -1584/85) was an English nobleman and Lord High Admiral

Frances, Countess of Surrey, c1532-1533 (1945). Artist: Hans Holbein the Younger
Frances, Countess of Surrey, c1532-1533 (1945). Frances Howard, (nee de Vere), Countess of Surrey (c. 1516-1577) was daughter of John de Vere, 15th Earl of Oxford, and Elizabeth Trussell

Ten Musicians with Trumpets, from the Triumphal Procession of the Emperor Maximilian I, c
XJF447332 Ten Musicians with Trumpets, from the Triumphal Procession of the Emperor Maximilian I, c.1517 (woodcut) by Burgkmair

Aquarius, from the Signs of the Zodiac (oil on canvas) (see also 196700 to 196711)
XIR196704 Aquarius, from the Signs of the Zodiac (oil on canvas) (see also 196700 to 196711) by Jordaens, Jacob (1593-1678); Palais du Luxembourg, Paris

St. Jerome in his Study, 1514 (engraving)
XOS1273993 St. Jerome in his Study, 1514 (engraving) by DAOErer or Duerer, Albrecht (1471-1528); 25.4x19 cm; National Gallery of Art, Washington DC

Ixion, from The Four Disgracers, 1588. 1588. Creator: Hendrik Goltzius
Ixion, from The Four Disgracers, 1588

The Virgin of Louvain, c.1520 (oil on panel)
XJL38807 The Virgin of Louvain, c.1520 (oil on panel) by Orley, Bernard van (c.1488-1541); 45x39 cm; Prado, Madrid, Spain; Netherlandish, out of copyright

Tabletop of the Seven Deadly Sins and the Four Last Things (oil on panel) (detail
XIR216641 Tabletop of the Seven Deadly Sins and the Four Last Things (oil on panel) (detail of 169586) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid

Visit of the Angel, from the right wing of the Buxtehude Altar, 1400-10 (tempera
XKH145294 Visit of the Angel, from the right wing of the Buxtehude Altar, 1400-10 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); Hamburger Kunsthalle, Hamburg, Germany; German

Tapestry fragment depicting birds and beasts, from Franconia or Upper Rhine, 1300-1350 (wool)
GLS314128 Tapestry fragment depicting birds and beasts, from Franconia or Upper Rhine, 1300-1350 (wool) by German School, (14th century); 54.5x50.8 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Armchair, c.1540 (oak)
5244632 Armchair, c.1540 (oak) by English School, (16th century); 97.8x53.1x38.4 cm; Burrell Collection, Glasgow, Scotland; (add.info.: Armchair)

Tapestry depicting The Wandering Housewife or Woman Riding to Market, 1470-80 (wool and white linen thread)
GLS314131 Tapestry depicting The Wandering Housewife or Woman Riding to Market, 1470-80 (wool and white linen thread) by Swiss School, (15th century); Art Gallery and Museum, Kelvingrove, Glasgow

Tapestry, The Luttrell Table Carpet, 1520-38 (wool and wilk with gold and silver threads)
GLS314137 Tapestry, The Luttrell Table Carpet, 1520-38 (wool and wilk with gold and silver threads) by Flemish School, (16th century); 193x551.1 cm; Art Gallery and Museum, Kelvingrove, Glasgow

The Virgin and Child by a Fountain (oil on panel)
GLS314071 The Virgin and Child by a Fountain (oil on panel) by Orley, Bernard van (c.1488-1541); 105.4x82.2 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Virgin and Child, 1529 (oil on panel)
GLS314049 Virgin and Child, 1529 (oil on panel) by Cleve, Joos van (c.1485-1541) (and workshop); 71.1x55.9 cm; Glasgow Museums

Tapestry depicting thirty-six scenes from the Old and New Testaments, from Middle Rhineland, 1505-50 (wool)
GLS314129 Tapestry depicting thirty-six scenes from the Old and New Testaments, from Middle Rhineland, 1505-50 (wool, wilk and metal thread) by German School

The Nativity with SS. Sixtus (?) and Jerome and a cardinal (oil on panel)
GLS314055 The Nativity with SS. Sixtus (?) and Jerome and a cardinal (oil on panel) by Netherlandish School; 52.2x41.8 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Armchair, c.1540 (oak)
5244631 Armchair, c.1540 (oak) by English School, (16th century); 97.8x53.1x38.4 cm; Burrell Collection, Glasgow, Scotland; (add.info.: Armchair)

Window depicting the Adoration of the Kings (stained glass)
GLS314050 Window depicting the Adoration of the Kings (stained glass) by Flemish School, (15th century); 77.5x57.8 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Ceremonial bedhead made for the marriage of King Henry VIII and Anne of Cleves, 1539 (oak)
5890677 Ceremonial bedhead made for the marriage of King Henry VIII and Anne of Cleves, 1539 (oak) by English School, (16th century); 83.9x195.6x11.4 cm; Burrell Collection, Glasgow

St Maurice (or St Victor) with a Donor, c.1500-05 (oil on panel)
5673685 St Maurice (or St Victor) with a Donor, c.1500-05 (oil on panel) by Master of Moulins (Jean Hey), (fl.c.1483-c.1529); 58.4x49.5 cm; Glasgow Museums, UK; (add.info.: An ecclesiastic)

Bed valance, 1532-36 (silk & linen)
5890676 Bed valance, 1532-36 (silk & linen) by English School, (16th century); 37.5x269 cm; Burrell Collection, Glasgow, Scotland; (add.info.: Valance or bed valance)

Tapestry depicting David and Bathsheba, from Strassburg, 1480-1500 (wool, silk and linen)
GLS314130 Tapestry depicting David and Bathsheba, from Strassburg, 1480-1500 (wool, silk and linen) by French School, (16th century); 86.3x97.7 cm; Art Gallery and Museum, Kelvingrove, Glasgow

The Pursuit of Fidelity, c.1475-1500 (tapestry)
GLS224037 The Pursuit of Fidelity, c.1475-1500 (tapestry) by German School, (15th century); 76.2x86.4 cm; Burrell Collection, Glasgow

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The Northern Renaissance was a period of artistic and intellectual flourishing that took place in Europe during the 15th and 16th centuries. It was characterized by a renewed interest in classical learning, humanism, and the exploration of new artistic techniques. One iconic artwork from this era is "The Garden of Earthly Delights" by Hieronymus Bosch. Painted between 1490-1500, this triptych depicts a surreal landscape filled with fantastical creatures and scenes that explore themes of sin, temptation, and redemption. Another influential artist of the Northern Renaissance was Albrecht Durer. His work "The Man of Sorrows" showcases his mastery of printmaking techniques through intricate details and emotional depth. Durer's art often focused on religious subjects, reflecting the spiritual concerns prevalent during this time. Hendrik Goltzius' "Icarus, " part of his series called "The Four Disgracers, " demonstrates the influence of mythology on Northern Renaissance artists. The piece captures Icarus falling from the sky after flying too close to the sun—a cautionary tale about hubris. "The Wedding Dance" by an unknown artist exemplifies another aspect of life during this period—the celebration of joyous occasions through music and dance. This lively painting reflects both social customs and artistic trends popular at that time. Hans Holbein the Younger's portrait of Jane Seymour provides insight into portraiture during the Northern Renaissance. Known for his meticulous attention to detail, Holbein captured not only physical likeness but also conveyed personality traits through subtle gestures and expressions. In addition to paintings, printmaking played a significant role in shaping art during this period. Albrecht Durer's etching titled "Knight, Death, and Devil" explores themes such as mortality and moral virtue while showcasing his technical skill in creating intricate lines with precision.