Northern Renaissance Collection (page 6)

Adoration of the Magi, c. 1519 (oil on panel)
471163 Adoration of the Magi, c.1519 (oil on panel) by Master of the Antwerp Adoration, (fl.c.1505-30); 29x39 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Detail of the Reliquary of Saint Ursula, 1489 (gilded & painted wood)
490204 Detail of the Reliquary of Saint Ursula, 1489 (gilded & painted wood) by Memling, Hans (c.1433-94); Memling Museum, Bruges

Virgin and Child surrounded by cherubim and seraphim, detail, 1452 (oil on panel) (detail of 471132)
5242747 Virgin and Child surrounded by cherubim and seraphim, detail, 1452 (oil on panel) (detail of 471132) by Fouquet, Jean (c.1420-80); 94.5x85.5 cm; Koninklijk Museum voor Schone Kunsten

Holy Kinship (oil on canvas)
471235 Holy Kinship (oil on canvas) by Baegert, Derick (c.1440-d.p.1515); 128x157 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: Kinship of Saint Anna)

Barthel van den Berghe, Notary (oil on canvas) (pair to 471108)
471109 Barthel van den Berghe, Notary (oil on canvas) (pair to 471108) by Vos, Cornelis de (1585-1651) (attr. to); 109x92 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Festival of the Archers (oil on panel)
471070 Festival of the Archers (oil on panel) by Master of Frankfurt, (1460-c.1533); 176x141 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: In the early 14th century)

Saint Luke painting the Virgin Mary (oil on panel)
3500114 Saint Luke painting the Virgin Mary (oil on panel) by Floris, Frans (1519-70); St. Bavo Cathedral, Ghent, Belgium; (add.info.: Saint Luc peignant la Vierge; St)

Epiphany triptych (oil on panel)
471120 Epiphany triptych (oil on panel) by Master of Frankfurt, (1460-c.1533); 161x416 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: Nativity)

Central panel of the Triptych of Christ Among the Doctors (oil on panel)
472396 Central panel of the Triptych of Christ Among the Doctors (oil on panel) by Pourbus, Frans I (1545-81); St. Bavo Cathedral, Ghent

Virgin and Child surrounded by cherubim and seraphim, detail, 1452 (oil on panel) (detail of 471132)
5242746 Virgin and Child surrounded by cherubim and seraphim, detail, 1452 (oil on panel) (detail of 471132) by Fouquet, Jean (c.1420-80); 94.5x85.5 cm; Koninklijk Museum voor Schone Kunsten

Albrecht Durer visiting Antwerp in 1520, 1855 (oil on panel)
471171 Albrecht Durer visiting Antwerp in 1520, 1855 (oil on panel) by Leys, Hendrik or Henri (1815-69); 140x210 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Christ driving the Money-changers from the Temple (oil on panel)
471181 Christ driving the Money-changers from the Temple (oil on panel) by Massys or Matsys, Quentin (c.1466-1530); 50x39 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Madonna (oil on panel) (pair to 471176)
471177 Madonna (oil on panel) (pair to 471176) by Massys or Matsys, Quentin (c.1466-1530); 39x58 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Portrait of Philippe de Croy (oil on panel) (pair to 471141)
471140 Portrait of Philippe de Croy (oil on panel) (pair to 471141) by Weyden, Rogier van der (1399-1464); 49x30 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Village at the Scheldt, 1587 (oil on panel)
471271 Village at the Scheldt, 1587 (oil on panel) by Grimmer, Jacob (c.1526-89); 121x196 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Portrait of a family, 1631 (oil on canvas) (see also 471107)
471106 Portrait of a family, 1631 (oil on canvas) (see also 471107) by Vos, Cornelis de (1585-1651); 168x238 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Triptych of the Crucifixion (oil on panel)
3587453 Triptych of the Crucifixion (oil on panel) by Joos van Gent (Joos van Wassenhove) (fl.1460-75); 326.5 cmx214.9 cm; St

The Reliquary of Saint Ursula, 1489 (gilded & painted wood)
490202 The Reliquary of Saint Ursula, 1489 (gilded & painted wood) by Memling, Hans (c.1433-94); Memling Museum, Bruges, Belgium; (add.info)

Detail of the Reliquary of Saint Ursula, 1489 (gilded & painted wood)
490210 Detail of the Reliquary of Saint Ursula, 1489 (gilded & painted wood) by Memling, Hans (c.1433-94); Memling Museum, Bruges

Detail of the Reliquary of Saint Ursula, 1489 (gilded & painted wood)
490205 Detail of the Reliquary of Saint Ursula, 1489 (gilded & painted wood) by Memling, Hans (c.1433-94); Memling Museum, Bruges

The painter and his wife, 1496 (oil on panel)
471119 The painter and his wife, 1496 (oil on panel) by Master of Frankfurt, (1460-c.1533); 38x26 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Epitaph of Nikols Rockox and his wife Adriana Perez, 1513-15 (oil on panel)
471121 Epitaph of Nikols Rockox and his wife Adriana Perez, 1513-15 (oil on panel) by Rubens, Peter Paul (1577-1640); 146x233 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

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The Northern Renaissance was a period of artistic and intellectual flourishing that took place in Europe during the 15th and 16th centuries. It was characterized by a renewed interest in classical learning, humanism, and the exploration of new artistic techniques. One iconic artwork from this era is "The Garden of Earthly Delights" by Hieronymus Bosch. Painted between 1490-1500, this triptych depicts a surreal landscape filled with fantastical creatures and scenes that explore themes of sin, temptation, and redemption. Another influential artist of the Northern Renaissance was Albrecht Durer. His work "The Man of Sorrows" showcases his mastery of printmaking techniques through intricate details and emotional depth. Durer's art often focused on religious subjects, reflecting the spiritual concerns prevalent during this time. Hendrik Goltzius' "Icarus, " part of his series called "The Four Disgracers, " demonstrates the influence of mythology on Northern Renaissance artists. The piece captures Icarus falling from the sky after flying too close to the sun—a cautionary tale about hubris. "The Wedding Dance" by an unknown artist exemplifies another aspect of life during this period—the celebration of joyous occasions through music and dance. This lively painting reflects both social customs and artistic trends popular at that time. Hans Holbein the Younger's portrait of Jane Seymour provides insight into portraiture during the Northern Renaissance. Known for his meticulous attention to detail, Holbein captured not only physical likeness but also conveyed personality traits through subtle gestures and expressions. In addition to paintings, printmaking played a significant role in shaping art during this period. Albrecht Durer's etching titled "Knight, Death, and Devil" explores themes such as mortality and moral virtue while showcasing his technical skill in creating intricate lines with precision.