Northern Renaissance Collection (page 8)

St. Barbara, 1427 (oil on panel)
471063 St. Barbara, 1427 (oil on panel) by Eyck, Jan van (c.1390-1441); 31x18 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: St. Barbara was locked in a tower by her father)

The Fall of the Rebel Angels, 1554 (oil on panel)
471159 The Fall of the Rebel Angels, 1554 (oil on panel) by Floris, Frans (1519-70); 303x220 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Christ Carrying the Cross, c. 1510-16 (oil on panel)
LAF470950 Christ Carrying the Cross, c.1510-16 (oil on panel) by Bosch, Hieronymus (c.1450-1516); 76.7x83.5 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Virgin and Child surrounded by cherubim and seraphim, 1452 (oil on panel)
471132 Virgin and Child surrounded by cherubim and seraphim, 1452 (oil on panel) by Fouquet, Jean (c.1420-80); 94.5x85.5 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Adam and Eve, 1593-95 (oil on wood)
3714794 Adam and Eve, 1593-95 (oil on wood) by Spranger, Bartholomaeus (1546-1611); Latvian Museum of Foreign Art, Riga, Latvia

Quadrans Magnus Chalibeus page from the Atlas Major, 1662 (coloured engraving)
XOT366481 Quadrans Magnus Chalibeus page from the Atlas Major, 1662 (coloured engraving) by Blaeu, Joan (1596-1673); Private Collection; (add.info.: From the first edition; published in Amsterdam; )

Ira, engraved by H. Cock, 1558 (wood engraving)
3834067 Ira, engraved by H. Cock, 1558 (wood engraving) by Bruegel, Pieter the Elder (c.1525-69); Private Collection; (add.info.: the Vital Defects, 1558); Fototeca Gilardi

Emperor Heraclius Slays the King of Persia, 1485-95 (tempera and oil on panel)
5861590 Emperor Heraclius Slays the King of Persia, 1485-95 (tempera and oil on panel) by Netherlandish School, (15th century); 67.6x54.2 cm; The Art Institute of Chicago, IL

Noahs Ark on Mount Ararat, 1570 (oil on wood)
3527859 Noahs Ark on Mount Ararat, 1570 (oil on wood) by Myle, Simon de (fl.c.1570); 114x142 cm; Private Collection; Photo © Fine Art Images

The city of Bamberg, from the Liber Chronicarum, by Hartmann Schedel, 1493 (woodblock print)
IND368825 The city of Bamberg, from the Liber Chronicarum, by Hartmann Schedel, 1493 (woodblock print) by German School, (15th century); Private Collection; (add.info)

The Body of Christ Carried by Angels towards Heaven, 1516 (woodcut)
5858423 The Body of Christ Carried by Angels towards Heaven, 1516 (woodcut) by Grien, Hans Baldung (1484/5-1545); 22.3--15.2 cm; Metropolitan Museum of Art, New York, USA

Adam and Eve, 1519 (woodcut)
5858432 Adam and Eve, 1519 (woodcut) by Grien, Hans Baldung (1484/5-1545); 25.8x10.1 cm; National Gallery of Art, Washington DC, USA

Adam and Eve, 1511 (woodcut)
5858433 Adam and Eve, 1511 (woodcut) by Grien, Hans Baldung (1484/5-1545); 37.7x25.7 cm; National Gallery of Art, Washington DC, USA

The Fall of Mankind, 1511 (woodcut)
5858421 The Fall of Mankind, 1511 (woodcut) by Grien, Hans Baldung (1484/5-1545); 38--25.8 cm; Metropolitan Museum of Art, New York, USA; (add.info.: on upper plaque: LAPSUS HUMA: / NI GENERIS )

Lamentation over dead Christ, c. 1460-64 (oil on panel)
5310822 Lamentation over dead Christ, c. 1460-64 (oil on panel) by Weyden, Rogier van der (1399-1464); 80.6x130.1 cm; Mauritshuis, The Hague

Knight, Death, and the Devil, 1513 (engraving)
4071439 Knight, Death, and the Devil, 1513 (engraving) by Durer or Duerer, Albrecht (1471-1528); 24.6x18.8 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: The Christian knight)

Landscape with an Episode from the Conquest of America, c. 1535 (oil on panel)
4071470 Landscape with an Episode from the Conquest of America, c.1535 (oil on panel) by Mostaert, Jan (c.1475-c.1555); 86.5x152.5 cm; Rijksmuseum, Amsterdam

Saint Sebastian bound to a column, c. 1499 (engraving)
2560045 Saint Sebastian bound to a column, c.1499 (engraving) by Durer or Duerer, Albrecht (1471-1528); 10.7x7.5 cm; Private Collection; Photo © Christies Images

Lovers, panel of the abbotts ceiling (oil on wood)
NUL407093 Lovers, panel of the abbotts ceiling (oil on wood) by French School, (16th century); Abbey of Saint Hilaire, Saint-Hilaire, Aude, France

Giovanni de Medici kills an Opponent in a Duel, plate 5 from The History of the Medici
BCC393569 Giovanni de Medici kills an Opponent in a Duel, plate 5 from The History of the Medici, engraved by Philip Galle (1537-1612), c.1583 (engraving) by Straet

A Phylactery and the Body of a Canon (oil on panel) (see 231774 for recto)
XAV231773 A Phylactery and the Body of a Canon (oil on panel) (see 231774 for recto) by Provost, Jan II (1465-1529); 56.5x43.5 cm; Musee des Beaux-Arts, Valenciennes

Lamentation, c. 1540-45 (oil on oak panel)
BAL53554 Lamentation, c.1540-45 (oil on oak panel) by Heemskerck, Maerten van (1498-1574); 78.5x67.5 cm; Museum of Fine Arts (Szepmuveszeti) Budapest

Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81)
492863 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening

Fruits of Jealousy, 1530 (oil on wood)
BAL236619 Fruits of Jealousy, 1530 (oil on wood) by Cranach, Lucas the Elder (1472-1553); 56.7x38.5 cm; Pushkin Museum, Moscow, Russia; (add.info.: Hesiod, or contemporary derivation of; )

The Flagellation (engraving)
1217312 The Flagellation (engraving) by Schongauer, Martin (1440-91); 16.2x11.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Death comes to the Soldier, engraved by Georg Scharffenberg, from Der Todten Tanz, published Basel, 1843 (litho)
KW278030 Death comes to the Soldier, engraved by Georg Scharffenberg, from Der Todten Tanz, published Basel, 1843 (litho) by Holbein the Younger

The Deposition (oil on panel)
SHK332085 The Deposition (oil on panel) by Master of the Hanover Marktkirche Altar, (fl.c.1465-99); 83.2x48.9 cm; Private Collection; German, out of copyright

The Proctor Basin and the Proctor Ewer, 1592-93 (silver-gilt)
1217938 The Proctor Basin and the Proctor Ewer, 1592-93 (silver-gilt) by English School, (16th century); Ashmolean Museum, University of Oxford

Christ Carrying the Cross, c. 1518 (oil on panel)
622741 Christ Carrying the Cross, c.1518 (oil on panel) by Master of 1518 (fl.1518); 93.5x31 cm; Private Collection; Photo © Christies Images

Virgin in the Apse (oil on panel)
781562 Virgin in the Apse (oil on panel) by David, Gerard (c.1460-1523) (attr. to); Private Collection; Photo © Christies Images

Rajhrad Altarpiece, c. 1420 (tempera on panel)
XIR392247 Rajhrad Altarpiece, c.1420 (tempera on panel) by Master of Raigern, (fl.1400-33); 1011 x 1412 cm; Narodni Galerie, Prague

The Haywain, Allegory of the Vanity of the World (oil on panel)
XIR216117 The Haywain, Allegory of the Vanity of the World (oil on panel) by Mostaert, Gillis (1534-98) (workshop of); 104x139 cm; Louvre, Paris, France; (add.info.: allegorie de la vanite du monde; )

Knight, Death, and the Devil, 1513 (engraving)
883704 Knight, Death, and the Devil, 1513 (engraving) by Durer or Duerer, Albrecht (1471-1528); Minneapolis Institute of Arts, MN, USA; (add.info.: The Christian knight)

Battlefield in the New World in 1530, plate 6 from The Military Achievements of Emperor Charles V
BCC393560 Battlefield in the New World in 1530, plate 6 from The Military Achievements of Emperor Charles V, engraved by Dirk Volkertsz Coornhert (1522-90), 1555 (engraving) by Heemskerck

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The Northern Renaissance was a period of artistic and intellectual flourishing that took place in Europe during the 15th and 16th centuries. It was characterized by a renewed interest in classical learning, humanism, and the exploration of new artistic techniques. One iconic artwork from this era is "The Garden of Earthly Delights" by Hieronymus Bosch. Painted between 1490-1500, this triptych depicts a surreal landscape filled with fantastical creatures and scenes that explore themes of sin, temptation, and redemption. Another influential artist of the Northern Renaissance was Albrecht Durer. His work "The Man of Sorrows" showcases his mastery of printmaking techniques through intricate details and emotional depth. Durer's art often focused on religious subjects, reflecting the spiritual concerns prevalent during this time. Hendrik Goltzius' "Icarus, " part of his series called "The Four Disgracers, " demonstrates the influence of mythology on Northern Renaissance artists. The piece captures Icarus falling from the sky after flying too close to the sun—a cautionary tale about hubris. "The Wedding Dance" by an unknown artist exemplifies another aspect of life during this period—the celebration of joyous occasions through music and dance. This lively painting reflects both social customs and artistic trends popular at that time. Hans Holbein the Younger's portrait of Jane Seymour provides insight into portraiture during the Northern Renaissance. Known for his meticulous attention to detail, Holbein captured not only physical likeness but also conveyed personality traits through subtle gestures and expressions. In addition to paintings, printmaking played a significant role in shaping art during this period. Albrecht Durer's etching titled "Knight, Death, and Devil" explores themes such as mortality and moral virtue while showcasing his technical skill in creating intricate lines with precision.