Metal Print : Amabel Bloundels body being carried from the Earl of Rochesters house into

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Amabel Bloundels body being carried from the Earl of Rochesters house into

Amabel Bloundels body being carried from the Earl of Rochesters house into the dead cart for burial in the plague pit. Plague of London (1665). Illustration by John Franklin (active 1800-1861) for William Harrison Ainsworth Old Saint Paul s, London 1855 (first published 1841). Engraving

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Media ID 9788753

© Universal History Archive/Universal Images Group

1665 1800 1861 1841 1855 Active Ainsworth Body Burial Carried Cart Dead Earl Franklin Harrison House John Literature Paul Plague Published Rochester Saint William

16"x20" (51x41cm) Metal Print

Step back in time with our Media Storehouse Metal Prints featuring the haunting image of Amabel Bloundel's body being carried from the Earl of Rochester's house during the Great Plague of London in 1665. This historic moment, captured by Universal Images Group, is brought to life through our high-quality metal print process, creating a stunning and unique piece of art for your home. Each print is meticulously crafted with vibrant colors and sharp details, ensuring a beautiful and long-lasting addition to your decor. Relive history with this captivating and poignant image.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

EDITORS COMMENTS
This haunting engraving by John Franklin captures a somber moment in the midst of the devastating Plague of London in 1665. The scene depicts the lifeless body of Amabel Bloundel being solemnly carried from the Earl of Rochester's house to its final resting place in a dead cart for burial in a plague pit. The illustration, created for William Harrison Ainsworth's novel "Old Saint Paul's" and first published in 1841, evokes a sense of despair and sorrow that permeated London during this dark period. Franklin masterfully conveys the weightiness of the situation through his intricate engravings. Amidst the chaos and suffering caused by the plague, this image serves as a poignant reminder of human mortality and resilience. It transports us back to an era when death was an ever-present specter, lurking around every corner. Ainsworth's literature skillfully weaves together historical events with fictional characters, providing readers with a vivid depiction of life during one of London's most harrowing times. This engraving not only complements Ainsworth's storytelling but also stands on its own as a powerful visual representation. Franklin’s active involvement between 1800-1861 showcases his talent for capturing emotions through artistry. Through his meticulous attention to detail and composition, he brings forth an atmosphere that is both eerie and captivating. As we gaze upon this print today, it serves as both a historical artifact and a testament to our collective ability to endure

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