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Metal Print : 1857 Gosse pterodactyle Bat-Lizards

1857 Gosse pterodactyle Bat-Lizards



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1857 Gosse pterodactyle Bat-Lizards

1857 Illustration by Philip Gosse for his book " Omphalos" (which sought to explain that the world looked older than Creation because it had to be constructed by God with inbuilt history so that it would continue to work seamlessly). One of the mistakes he made in the book, was following E. Newmans earlier suggestion (1843) in " The Zoologist" that the pterodactyle was actually a form of marsupial bat with lizard like features. Omphalos was not a good book for Gosses reputation, finding critics on both sides of the science-religion debate. The name " Omphalos" means navel - referring to the fact that Adam was created with a navel even though he had never been attached to a placenta

Science Photo Library features Science and Medical images including photos and illustrations

Media ID 6345487

© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com

Black And White Dinosaur Edward Mistake Pterodactyl Pterodactyle Pterosaur Reconstruction Victorian Gosse Mono Chrome Omphalos Philip


20"x24" (61x51cm) Metal Print

Discover the captivating world of prehistoric creatures with Media Storehouse's Metal Prints featuring the iconic 1857 Gosse pterodactyle Bat-Lizards by Paul D. Stewart from Science Photo Library. This stunning illustration, taken from Philip Gosse's groundbreaking book "Omphalos," showcases the intriguing interpretation of these ancient beings. Each Metal Print is meticulously crafted, bringing the intricate details and vibrant colors of this timeless artwork to life. Transform your space into a mesmerizing journey through history with this unique and eye-catching addition to your collection.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 60.9cm (20" x 24")

Estimated Product Size is 51.4cm x 61.5cm (20.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Extinct > Dinosaurs

> Animals > Mammals > Marsupials


EDITORS COMMENTS
This print showcases an intriguing illustration by Philip Gosse for his book "Omphalos" published in 1857. The artwork depicts the fascinating concept that the world appeared older than its actual creation because it was intricately constructed by God with pre-existing history. However, this controversial theory faced criticism from both sides of the science-religion debate, tarnishing Gosse's reputation. In this particular illustration, Gosse made a mistake influenced by E. Newman's earlier suggestion in "The Zoologist" (1843) that the pterodactyle was a type of marsupial bat with lizard-like features. This erroneous depiction of a pterodactyl as a hybrid creature is visually striking and captures the Victorian era's fascination with paleontology and evolutionary theories. Interestingly, "Omphalos" meaning navel, derives its name from the fact that Adam was believed to have been created with a navel despite never being attached to a placenta. This symbolic reference adds another layer of complexity to Gosse's attempt to reconcile scientific discoveries with religious beliefs. Paul D. Stewart skillfully presents this historical artwork through his meticulous reconstruction and monochrome technique. The resulting print offers viewers an opportunity to delve into Victorian-era illustrations while contemplating the intersection between science, religion, and human curiosity about our planet's origins.

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