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Fine Art Print : 1857 Gosse pterodactyle Bat-Lizards
Fine Art Prints from Science Photo Library
1857 Gosse pterodactyle Bat-Lizards
1857 Illustration by Philip Gosse for his book " Omphalos" (which sought to explain that the world looked older than Creation because it had to be constructed by God with inbuilt history so that it would continue to work seamlessly). One of the mistakes he made in the book, was following E. Newmans earlier suggestion (1843) in " The Zoologist" that the pterodactyle was actually a form of marsupial bat with lizard like features. Omphalos was not a good book for Gosses reputation, finding critics on both sides of the science-religion debate. The name " Omphalos" means navel - referring to the fact that Adam was created with a navel even though he had never been attached to a placenta
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6345487
© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com
Black And White Dinosaur Edward Mistake Pterodactyl Pterodactyle Pterosaur Reconstruction Victorian Gosse Mono Chrome Omphalos Philip
20"x20" (+3" Border) Fine Art Print
Discover the captivating allure of the prehistoric world with Media Storehouse's Fine Art Prints. This exquisite piece showcases the 1857 Gosse Pterodactyle Bat-Lizards, an intriguing illustration by Paul D. Stewart from the Science Photo Library. Originally drawn by Philip Gosse for his groundbreaking book "Omphalos," this illustration offers a fascinating glimpse into the scientific theories of the past. Add an air of mystery and intrigue to any room with this stunning, high-quality print. A must-have for collectors, researchers, or anyone captivated by the wonders of the natural world.
20x20 image printed on 26x26 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 46.5cm x 50.8cm (18.3" x 20")
Estimated Product Size is 66cm x 66cm (26" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Animals
> Extinct
> Dinosaurs
> Animals
> Mammals
> Marsupials
EDITORS COMMENTS
This print showcases an intriguing illustration by Philip Gosse for his book "Omphalos" published in 1857. The artwork depicts the fascinating concept that the world appeared older than its actual creation because it was intricately constructed by God with pre-existing history. However, this controversial theory faced criticism from both sides of the science-religion debate, tarnishing Gosse's reputation. In this particular illustration, Gosse made a mistake influenced by E. Newman's earlier suggestion in "The Zoologist" (1843) that the pterodactyle was a type of marsupial bat with lizard-like features. This erroneous depiction of a pterodactyl as a hybrid creature is visually striking and captures the Victorian era's fascination with paleontology and evolutionary theories. Interestingly, "Omphalos" meaning navel, derives its name from the fact that Adam was believed to have been created with a navel despite never being attached to a placenta. This symbolic reference adds another layer of complexity to Gosse's attempt to reconcile scientific discoveries with religious beliefs. Paul D. Stewart skillfully presents this historical artwork through his meticulous reconstruction and monochrome technique. The resulting print offers viewers an opportunity to delve into Victorian-era illustrations while contemplating the intersection between science, religion, and human curiosity about our planet's origins.
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