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Metal Print : Entrance to the bazaar or market of Jerusalem, Israel, 1800s

Entrance to the bazaar or market of Jerusalem, Israel, 1800s



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Entrance to the bazaar or market of Jerusalem, Israel, 1800s

Entrance to the bazaar, besestein or market of Jerusalem, Israel, 1800s. Ingresso del mercato. Handcoloured copperplate engraving by Corsi after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Modern o Story, Florence, 1833. Copied from Luigi Mayers Views in Egypt, Palestine and Other Parts of the Ottoman Empire, 1804

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23384794

© Florilegius

1800s Antico Bazaar Bethlehem Ferrario Fountain Giulio Israel Jerusalem Luigi Mayer Moderno Palestine Parts Peoples Reservoir Sealed Ottoman


16"x24" (61x41cm) Metal Print

Step into the vibrant past with our exquisite Metal Print of the Entrance to Jerusalem's Bazaar, an 1800s masterpiece from Mary Evans Picture Library. This intricately detailed handcoloured copperplate engraving, inspired by Giulio Ferrario's Costumes Ancient, transports you to the bustling markets of Jerusalem during a bygone era. Each Metal Print is meticulously crafted, bringing the rich colours and textures of this historic scene to life. Add a touch of history and culture to your home or office with this stunning, high-quality print.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Related Images

> Arts > Artists > F > Giulio Ferrario

> Arts > Modern art pieces

> Asia > Israel > Jerusalem

> Asia > Israel > Related Images

> Asia > Palestine > Jerusalem

> Asia > Palestine > Related Images

> Europe > France > Canton > Landes

> Historic > Historical fashion trends > Ancient Egyptian fashion trends


EDITORS COMMENTS
Step into the vibrant and bustling world of the Jerusalem bazaar, as depicted in this exquisite handcoloured copperplate engraving from the 1800s. The entrance to the bazaar, also known as the besestein or market, is shown here with an intricately designed archway, adorned with Arabic script and ornate geometric patterns. The sealed reservoir and fountain at the entrance are a common feature in Middle Eastern markets, providing both practical and symbolic functions. This illustration, created by Corsi after Giulio Ferrario, is taken from Ferrario's Costumes Ancient and Modern of the Peoples of the World, published in Florence in 1833. It is a fascinating glimpse into the fashion and daily life of the Holy Land during the Ottoman Empire. The market of Jerusalem was a hub of activity, where merchants from all over the region would gather to sell their wares, from textiles and spices to ceramics and metalwork. The engraving is based on an earlier work by Luigi Mayer, who traveled extensively through Egypt, Palestine, and other parts of the Ottoman Empire in the early 1800s. His views of the Holy Land were widely circulated and influenced European perceptions of the region for generations to come. This image of the Jerusalem bazaar is a testament to the rich cultural heritage of the Middle East and the enduring allure of its markets and bazaars.

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