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Metal Print : Barber cutting his thumb trying to shave a customer
Metal Prints From Mary Evans Picture Library
Barber cutting his thumb trying to shave a customer
Barber cutting his thumb with a razor trying to shave a customer with soft cheeks. More Miseries. Handcoloured copperplate engraving designed and etched by Thomas Rowlandson to accompany Reverend James Beresfords Miseries of Human Life, Ackermann, 1808
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23389850
© Florilegius
Ackermann Arts Barber Beresford Bonnet Chasing Customer Cutting Etching Georgian Human Maids Miseries Platter Regency Repository Reverend Rowlandson Satire Shave Thief Thumb Wind Ackermanns Shopwindow Skirt
16"x24" (61x41cm) Metal Print
Add a touch of historical intrigue to your home or office with our Media Storehouse Metal Prints featuring the captivating image of 'Barber cutting his thumb' from Mary Evans Picture Library. This hand-colored copperplate engraving, titled 'More Miseries,' depicts a barber in the midst of an unfortunate mishap while shaving a customer with soft cheeks. The high-quality metal print brings the intricate details of this 19th-century engraving to life, making it a unique and intriguing addition to any decor. Experience the rich history and storytelling power of this classic print, now transformed into a modern, durable, and stylish wall art piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this intricately detailed hand-colored copperplate engraving by Thomas Rowlandson, titled "Barber Cutting His Thumb," we witness an unexpected turn of events during a routine shave at a Georgian barber shop. The barber, engrossed in shaving the soft cheeks of his customer, momentarily loses focus and slips with the razor, inflicting a deep gash on his own thumb. The expression of shock and pain on the barber's face is palpable, as he clutches his injured thumb and looks up at his horrified customer. The scene is set in a bustling London street, with the wind blowing through the open door of the barber shop, bringing in a chill that is evident on the bare legs of the woman waiting in the background, her skirt billowing in the wind. The barber shop is filled with the usual hustle and bustle of a busy Regency day, with a thief making off with a platter from a nearby shop, roadsweepers pushing their brooms, and passersby hurrying through the muddy streets. Despite the chaos, the barber's attention is solely on his own injury, as he holds his thumb aloft, trying to assess the damage. A hat-wearing man in the background seems amused by the mishap, while a maid in a bonnet looks on with concern. The sign of the barber shop, "Ackermann's Repository of Arts," is visible in the shop window, adding to the sense of authenticity and historical detail. This satirical and humorous illustration, originally published in Reverend James Beresford's "Miseries of Human Life," is a testament to the everyday mishaps and miseries of life in Georgian London. Thomas Rowlandson's masterful use of copperplate engraving techniques brings the scene to life with intricate detail and a sense of humor that continues to resonate with modern audiences.
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