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Metal Print : The Admiralty Office, the Sailing Match and the Drowned Boy
Metal Prints From Mary Evans Picture Library
The Admiralty Office, the Sailing Match and the Drowned Boy
The Admiralty Office, the Sailing Match and the Drowned Boy. The Admiralty Office of the Navy on Whitehall 61, sailboats racing on the River Thames from Blackfriars Bridge to Vauxhall in a Sailing Match 62 and young man retrieving the body of a boy who had drowned in a swimming accident in the river 63. Woodcut engraving after an illustration by Isaac Taylor from City Scenes, or a Peep into London, by Ann Taylor and Jane Taylor, published by Harvey and Darton, Gracechurch Street, London, 1828. English sisters Ann and Jane Taylor were prolific Romantic poets and writers of childrens books in the early 19th century
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23392152
© Florilegius
Admiralty Architect Capital Coach Darton Drowned Educational Engineer Geography Harvey Isaac Jane Mail Martins Match Office Peep Rennie Romantic Sisters Southwark Taylor Tourist Trades Waterloo Woodblock Woodcut Childrens
16"x24" (61x41cm) Metal Print
Bring the timeless charm of history to your home or office with Media Storehouse's Metal Prints featuring iconic images from Mary Evans Picture Library. These beautifully crafted prints showcase three captivating scenes from the past: The Admiralty Office on Whitehall 61, where the British Navy's strategic plans were once made; The Sailing Match on the River Thames, a thrilling race between sailboats from Blackfriars Bridge to Vauxhall; and The Drowned Boy, a poignant reminder of the risks and rewards of life on the water. Each Metal Print is meticulously printed on high-quality metal sheets, ensuring vibrant colors and stunning detail that will last a lifetime. Elevate your space with a piece of history that's as unique as it is timeless.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This woodcut engraving, titled 'The Admiralty Office, the Sailing Match and the Drowned Boy,' offers a glimpse into the vibrant and diverse life along the River Thames in 19th century London. The image, created by Isaac Taylor after an illustration in 'City Scenes, or a Peep into London' by Ann and Jane Taylor, published in 1828, showcases three distinct scenes merged into one. At the heart of the print lies the imposing figure of the Admiralty Office on Whitehall 61, a symbol of the British Navy's power and authority. In the foreground, sailboats race against each other on the River Thames from Blackfriars Bridge to Vauxhall in a Sailing Match, reflecting the city's love for recreational activities and competitive spirit. The excitement of the race is palpable as spectators on the banks cheer and a general post office boat, Southwark Bridge, and a Waterloo stage coach pass by, showcasing the various modes of transportation available during the era. Tragedy strikes in the third scene as a young man reaches out to retrieve the body of a drowned boy from the river, a poignant reminder of the ever-present danger lurking beneath the water's surface. The image encapsulates the contrasting emotions of joy, excitement, and sadness that coexisted in the bustling city of London during this period. The intricate details of the woodcut engraving, from the architectural features of the Admiralty Office to the intricacies of the sailboats and the expressions on the faces of the onlookers, reveal the skill and artistry of Isaac Taylor and the educational value of Ann and Jane Taylor's work. This print offers a unique window into the history, culture, and daily life of 19th century London.
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