Metal Print : Mary Ann Clarke at War
Metal Prints from Mary Evans Picture Library
Mary Ann Clarke at War
MARY ANNE CLARKE, mistress of Frederick duke of York (2nds of G3 and commander-in-chief) is accused of selling his patronage; defending herself brilliantly she is acquitted
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 4320628
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10167685
1776 1852 Accused Acquitted Anne Brilliantly Chief Clarke Defending Frederick Mistress Patronage Selling
16"x20" (51x41cm) Metal Print
Bring history to life with our stunning Metal Prints from Media Storehouse, featuring this captivating image of Mary Ann Clarke, the renowned figure at the heart of the infamous "Mary Ann Clarke Affair." This evocative print, sourced from Mary Evans Prints Online, showcases Mary Ann Clarke, the mistress of Frederick, Duke of York, who was falsely accused of selling his patronage. Her brilliant defense in court led to her acquittal, making this an intriguing piece of historical art. Our Metal Prints are known for their vibrant colors, exceptional clarity, and long-lasting durability, ensuring that this fascinating moment in history will be a beautiful addition to any home or office.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
Mary Ann Clarke, Mistress of Frederick, Duke of York and Albany (1764-1827), is depicted in this 1852 print as she stands before a panel of judges, defending herself against accusations of selling the Duke's patronage. The Duke, who was the second son of King George III and the Commander-in-Chief of the British Army at the time, was embroiled in a scandal that threatened to tarnish his reputation and that of the royal family. Mary Ann Clarke, a former actress and the Duke's mistress, was accused of using her influence to sell military commissions and other patronage to men who paid her large sums of money. The scandal came to a head in 1809 when the Duke's military secretary, John Scott, exposed the scheme in a letter to the Prime Minister, Spencer Perceval. Despite the mounting evidence against her, Mary Ann Clarke put up a brilliant defense in her trial in 1810. She denied the allegations and claimed that she had only been acting as a go-between for the men who wanted to purchase military commissions and the Duke, who had the power to grant them. The jury found her not guilty, and the Duke was cleared of any wrongdoing. This historical print captures the drama and intrigue of the trial, as well as the determination of Mary Ann Clarke to clear her name. The image of the fiery and defiant woman standing before the judges is a testament to her courage and resilience in the face of adversity. The print also serves as a reminder of the complex and often scandalous relationships that existed between the royal court and the world of politics and patronage in 18th and 19th century England.
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