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Metal Print : Censorship in the book Ratione Conscribendi Epistle by Erasm
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Censorship in the book Ratione Conscribendi Epistle by Erasm
Erasmus of Rotterdam (1466-1536). Dutch humanist. Ratione Conscribendi Epistles. Page with censorship and registration by the censor of the Inquisition, 1747. Basel edition, 1522. Episcopal Library. Barcelona. Spain
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Media ID 14324269
© Thaliastock / Mary Evans
1522 1747 Annotation Barcelona Basel Catalonia Censor Censorship Correction Crossing Date Desiderius Edition Episcopal Erasmus Forbidden Hand Written Humanism Humanist Index Inquisition Letters Manuscript Margin Netherlands Note Rotterdam 15th Roterodamus
16"x20" (51x41cm) Metal Print
Bring a piece of history into your home with our Media Storehouse Metal Prints. This captivating image, sourced from Mary Evans Prints Online, showcases a page from Erasmus of Rotterdam's Ratione Conscribendi Epistles. Dated back to the Basel edition of 1522, this page illustrates the process of censorship by the Inquisition. Our high-quality metal prints are not only visually stunning but also long-lasting, adding an element of sophistication and intrigue to any room. Embrace the rich history of the past with this unique and thought-provoking piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This haunting image from the Episcopal Library in Barcelona showcases the power of censorship during the 16th century, as depicted in the Ratione Conscribendi Epistles by Desiderius Erasmus of Rotterdam (1466-1536), a Dutch humanist. The page, taken from the Basel edition of 1522, bears the marks of the Inquisition's censor, who meticulously crossed out forbidden words and phrases with a black pen. The annotations in the margins include corrections, expurgations, and prohibitions, as the man's hand carefully erases any content deemed heretical or contrary to Catholic doctrine. The age-old practice of censorship is evident in the numerous annotations, each one a testament to the power of the Church to control the dissemination of ideas. The black crossings and erasures stand in stark contrast to the open book, highlighting the tension between the desire for knowledge and the fear of its potential misuse. The Ratione Conscribendi Epistles, a series of letters on the art of writing, were a seminal work in the development of humanist thought in Europe. Erasmus, a leading figure in the humanist movement, advocated for the importance of education, reason, and critical thinking. However, his works were not always met with approval by the Church, leading to numerous instances of censorship and suppression. This image, from the modern age but with its roots deeply embedded in the 15th and 16th centuries, serves as a powerful reminder of the ongoing struggle between freedom of expression and the desire for control over knowledge and ideas. The marks of the censor's pen continue to resonate with us today, a testament to the enduring impact of the humanist tradition and the ongoing debate over the role of censorship in society.
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