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Metal Print : A Kick at the Broad Bottoms! i. e. Emancipation of All the Talents, Gillray, James
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A Kick at the Broad Bottoms! i. e. Emancipation of All the Talents, Gillray, James
A Kick at the Broad Bottoms! i.e. Emancipation of All the Talents, Gillray, James, 1756-1815, engraver, [London], 1807, King George III, his face hidden by a pillar, grabs the pigtail of Lord Grenville, and holds his scepter as if ready to strike Grenville. Members of the government, including Howick, holding a torn copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, rush from the room, falling on each other in the process. Petty and Erskine are sprawled on the floor. The king stands in front of his throne next to which is a Bible and a crown
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12957373
© Quint Lox Limited
1756 1807 1815 Bible Bill Broad Buckingham Catholic Copy Crown Emancipation Engraver Face Falling Floor Front George Gillray Government Grabs Grenville Hidden Holding Holds Including James King Lord Members Nostalgia Nostalgic Old Fashioned Petty Pillar Process Ready Room Rush Scepter Sheridan Sidmouth Stands Strike Temple Throne Torn Traditional Windham Bottoms Ellenborough Erskine Howick Kick Moira Pigtail Sprawled Talents
16"x20" (51x41cm) Metal Print
Experience the wit and satire of 19th-century British humor with Media Storehouse's Metal Print of James Gillray's iconic work, "A Kick at the Broad Bottoms! i.e. Emancipation of All the Talents." This engraving from 1807, part of the Liszt Collection, offers a clever commentary on the political climate of the time, featuring King George III hidden behind a pillar. Bring this historical masterpiece into your home or office as a unique and thought-provoking addition to your decor. Our high-quality Metal Prints are known for their vibrant colors, long-lasting durability, and sleek modern design. Order yours today and join the conversation around this intriguing piece of art history!
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This vintage print titled "A Kick at the Broad Bottoms! i. e. Emancipation of All the Talents" by James Gillray captures a moment of political chaos and tension during the early 19th century. In this satirical engraving, King George III is depicted with his face hidden behind a pillar as he grabs Lord Grenville's pigtail and brandishes his scepter threateningly. The members of the government, including Howick, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth, and Sheridan are seen rushing out of the room in disarray while falling over one another. The scene portrays a dramatic clash between different factions within the government regarding issues such as Catholic emancipation. Petty and Erskine lie sprawled on the floor amidst this chaotic commotion. The king stands proudly next to his throne adorned with a Bible and crown symbolizing his authority. This artwork showcases Gillray's illustrative technique that combines humor with sharp social commentary. It offers us a glimpse into historical events through an artistic lens while highlighting political tensions prevalent during that era. As we gaze upon this engraved image from centuries past, we can't help but feel nostalgic for an age when traditional art forms like engravings were highly valued for their ability to capture significant moments in history. This piece serves as a reminder of our rich cultural heritage and invites us to appreciate both its artistic beauty and historical significance
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