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Metal Print : holie well dictum benedicti bene dictum Humphry Repton

holie well dictum benedicti bene dictum Humphry Repton



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Liszt Collection

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holie well dictum benedicti bene dictum Humphry Repton

The holie well: dictum benedicti bene dictum, Humphry Repton architecture and landscape designs, 1807-1813, Report concerning the gardens at Ashridge, respectfully submitted to the Earl of Bridgewater, Repton, Humphry, 1752-1818, Pencil, ink and watercolor, 1813, Numbered page 21 in manuscript

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18503268

© Liszt Collection

1752 1818 1807 1813 1813 Ashridge Bridgewater Earl Gardens Humphry Humphry Repton Landscape Designs Manuscript Numbered Page Pencil Report Concerning Repton Respectfully Submitted Dictum


16"x24" (61x41cm) Metal Print

Discover the timeless beauty of Humphry Repton's holiest well design from the renowned Liszt Collection, now brought to life in our Media Storehouse Metal Prints. This exquisite piece, featuring the dictum benedicti bene dictum, showcases Repton's masterful blend of architecture and landscape design from his reports on the gardens at Ashridge (1807-1813). Our high-quality Metal Prints not only capture the intricate details of this historical artwork but also provide a stunning, vibrant display that adds an elegant touch to any space. Embrace the rich history and artistry of Humphry Repton with our Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > R > Humphry Repton

> Arts > Landscape paintings > Landscape art > Watercolor landscapes

> Arts > Watercolor paintings > Watercolor landscapes > Landscape art

> Arts > Watercolor paintings > Watercolor landscapes > Watercolor art

> Arts > Watercolor paintings > Watercolor landscapes > Watercolor paintings

> Arts > Watercolor paintings


EDITORS COMMENTS
This print from the Liszt Collection showcases a remarkable piece of art titled "Holie Well: Dictum Benedicti Bene Dictum, Humphry Repton". Created between 1807 and 1813, this architectural and landscape design by Humphry Repton is truly a sight to behold. The artwork was originally presented as part of a report concerning the gardens at Ashridge, which was respectfully submitted to the Earl of Bridgewater. In this particular image, we are treated to an exquisite blend of pencil, ink, and watercolor that brings Repton's vision to life. The attention to detail is astounding as every stroke captures the essence of his masterpiece. As we delve deeper into the composition, our eyes are drawn towards a holy well nestled amidst lush greenery. The tranquil ambiance surrounding this sacred site is palpable through the artist's skillful use of color and shading. It evokes a sense of serenity and reverence for nature's beauty. Page 21 in manuscript holds this extraordinary creation together with its numbered presence adding an air of exclusivity. As we gaze upon this print, it becomes evident that Repton possessed not only immense talent but also an innate ability to harmonize architecture with nature seamlessly. This artwork serves as a testament to his enduring legacy in landscape design.

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