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Metal Print : Rule Britannia, 1882

Rule Britannia, 1882



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Rule Britannia, 1882

Rule Britannia, 1882. Britannia is not sure whether or not she has jurisdiction over the proposed Channel Tunnel. From Punch, or the London Charivari, July 15, 1882

Heritage Images features heritage image collections

Media ID 14831783

© The Print Collector / Heritage-Images

Britannia Edward Linley Edward Linley Sambourne Heritage Image Partnership Jurisdiction Pick Axe Sambourne Tunnel Workman Workmen Allegorical Figure Channel Tunnel


16"x20" (51x41cm) Metal Print

Step back in time with our stunning Metal Print of Rule Britannia, 1882 by Edward Linley Sambourne from Heritage Images. This iconic image, originally published in Punch magazine, captures Britannia in a thoughtful moment as she ponders her jurisdiction over the proposed Channel Tunnel. The high-quality metal print brings the rich history and intrigue of this classic illustration to life, adding a unique and captivating touch to any space. With vibrant colors and impressive detail, this print is sure to become a conversation starter and a cherished addition to your collection.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Tunnels

> Arts > Artists > S > Edward Linley Sambourne

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Related Images


EDITORS COMMENTS
This print, titled "Rule Britannia, 1882" captures the essence of political satire during the late 19th century. Created by Edward Linley Sambourne, a renowned caricaturist of his time, this engraving showcases an allegorical figure representing Britannia herself. In this satirical depiction, Britannia is depicted as unsure about her jurisdiction over the proposed Channel Tunnel. Standing amidst a group of workmen with tools in hand, she appears to be contemplating whether or not she has authority over this ambitious project that would connect Britain and France. The artist's clever use of symbolism is evident through the inclusion of a pickaxe held by one of the workers. This tool represents both physical labor and progress towards bridging two nations together. Through this image, Sambourne highlights the complexities surrounding national identity and sovereignty during that era. With its monochrome aesthetic and intricate details, this print serves as a historical artifact from the 19th century. It offers us a glimpse into societal attitudes towards occupation and international relations at that time. Preserved by Heritage Image Partnership, this artwork continues to captivate viewers today with its thought-provoking commentary on power dynamics between countries.

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